Tag Archives: published

Published: Behind the Scenes (April 2017)

Published- Behind The Scenes.png

Well this is going to be a short one. Much the same as my last post, I’m working on the prequel project assigned by my editor. I will be writing a post about what it’s like to write for oneself vs. ‘contract writing’ as they say, but I’d like to finish writing the thing before I delve into that.

So, just in case you missed it! I’ve written about my initial foray into developmental editing, which was eye-opening to say the least. I also wrote a post about my Path to Publication, which highlights how I even got my publishing contract that I still can’t quite wrap my head around as actually having oh my god my book is going to come out next year —

*deep breath*

So while you wait for more crazy thoughts of behind the scenes, here’s a snippet of what’s taking up so much of my time lately. Don’t judge too harshly, it hasn’t gone through editing yet (ha!).

The windowpane was cold on the side of my head. I could just move and relieve the discomfort, but I didn’t. I sat there, useless. Or maybe I was punishing myself. Everybody was always worried about that lately. Survivor’s guilt, they called it.

But they didn’t know it actually was my fault. If I hadn’t told my biggest secret, none of it would have happened. He’d made sure to tell me how special I was, that the secret I hid from the world was the reason he’d had to take my sister and me. Not just to ransom, like most people kidnapped upper class girls for. But for something else, something that meant he hurt us, over and over, without even touching us…

The cold from the glass was seeping from my head, down my body. Annoying little shivers kept hitting me at intervals, pulling me out of my reverie. I pulled the blanket tighter and higher around me, but the cold still penetrated. It made me squirm on the window bench; between the cold and my butt falling asleep, I wanted to move.

Damn it, I couldn’t even be miserable properly. I couldn’t even punish myself for being alive when she wasn’t.

I flung myself up from bench and stalked across the room. My eyes burned, looking for something or throw or to hit. A pillow went first, but that didn’t feel like anything. The water glass on the bedside table went next. It made a loud sound against the wall before hitting to the ground, a large crack down its side. The damn glass couldn’t even shatter properly.

I slumped down on my bed, trying to cry, trying to feel anything but hollow, like I’d had all my insides sucked out by those things that had taken us and held us and burrowed into our heads like worms that ate through our brains –

I slapped myself sharply across the face. The gleeful bubbling panic under my breastbone was too close; I’d let it too close. My thoughts ran frantic through my head, like clawing hands searching for a way to rip open the memories and spill them forth like sewage.

Two deep breaths later, I knew I’d be able to conquer it. It wasn’t going to overwhelm me. I breathed deep and focused on one single point, keeping my mind still. It still took several more minutes of deep breathing before my hands stopped shaking.

The therapists my parents had been hiring weren’t completely duff. I’d mostly ignored all of what they’d said, because like everyone else, they wouldn’t listen to me when I’d told them the truth about what had taken us. But some of what they’d said about panic attacks helped.

The slapping bit was my own, though. Sometimes I needed something more drastic to get my stupid head’s attention.

I fell backwards across my four-poster, and nearly brained myself on the book I’d bought earlier today. Wincing, I yanked it out from under my head and stared at its dark cover.

It didn’t hold the answers I sought.

There was nothing in the book about what he was. Nothing had fit. Oh, plenty about the other things. Plenty about creatures that were more shadow than flesh, creatures that lived off of human blood, creatures that could change shape, ones that stole children and ate them, ones that looked to be a mix of several creatures, ones that controlled weather or elements – all of them categorized by their most common regions, favorite habitats, and common behaviors. Even dragons, and more creatures I’d never even dreamed of yet alone heard of from my grandmother.

Breathing deeply, I spent a few seconds calming, my train of thought courting the panic attack I’d just conquered.

Another thought hit me; my stomach gave a little lurch. The book held no answers about what he was, or why he’d taken us. But this couldn’t be the only book. And this couldn’t be the only way of finding new information. My grandmother was gone, everyone laughed off what I said – I was the only one willing to find out the truth.

The book was heavy and warm in my hands. It couldn’t be the only one with information like this. There had to be others of its kind, with more information, new information.

There was a way to find out who’d killed my sister.

There was a way to find the truth about the things that dwelled in the dark.

Comments? Questions? Laughter?

Have a fantastic writing day, friends.


Published: Behind the Scenes (March 2017 edition)

Published- Behind The Scenes.pngIn October of last year I signed a contract with Glass House Press for my alternate-history fantasy series to debut in 2018. For fun and for the benefit of anyone interested, I started up this blog series chronicling monthly updates of the behind-the-scenes in being published. Read the introductory post here! A list of all the other posts I’ve written so far can also be found at the end.

In my previous post, I got in-depth about developmental editing and progress with that. This post, I’m going to have a little less to talk about, because as mentioned before, I’m writing a prequel to my series. So what’s primarily happening behind the scenes? Lots of writing. Which, hey, we’re all doing, that isn’t anything new. This entry is going to end up a little diary-like.

The basic reason for the need of this prequel is that my world is very complex, and a lot to jam into a first chapter. Additionally, my first book arguably starts out too far into my character’s arc. My editor thinks there too much for the reader to catch up on and takes away from getting the reader into the story. It can easily be too confusing, with all the cultural terms along with hints about character and world history I’m throwing about.

I personally think it’s fun to have a bit of mystery about the character and world to drive the story… but I can’t be sure I’ve created enough of a reason for the reader to care about Fairian and hang around for getting answers.

(So we’ll see how that all works out when we get to the editing of the actual writing and how the story works out bit, but meanwhile — )

I’ve been assigned to writing the prequel. Which is unfortunately slow going, as I haven’t really written anything (fiction) on ‘contract’ before, so I’m discovering the jarring difference between writing for oneself and writing for someone else. There are many author-ly laments on all platforms of social media about this problem, so I don’t feel like I need to go into it here. Needless to say the experience will be good practice.

Despite the reasons for actually making the prequel happen, I am discovering my love for the story. The events in the prequel I’ve always treated as past history, as influencing ‘current’ events and seen through the lens of the present. Writing the prequel as present, in the eyes of my main character that’s 5 years younger… well, that’s pretty interesting. And hard. A lot of the characteristics that make up Fairian (my main character) have developed in part because of The Events in the prequel, so they’re not in place in her personality yet. But I can’t have her a completely different person. So I have to plant the seeds of her later personality, then have The Events, and then show the start of her personality change.

This is surprisingly hard. Mostly in the sense that Fairian is kind of a spoiled, naive brat at this point in time, and I’m kind of wondering how to make her even likable. I read an article the other day that mentioned something like this, but emphasized that (in the beginning of a story at least) you need to make your characters interesting before likable, worry about likability later. That, I’m pretty sure I can do.

One of my editors suggestions for clarifying my giant world for readers while still keeping mystery for my characters was to write from another point of view. I struggled with this for a little while because this is really Fairian’s story, and I have a weird complex with keeping things mysterious and throwing questions around like confetti. But, I found a happy medium. Inter-spliced between chapters from Fairian’s perspective are reports from … basically this world’s version of the magical CIA.

So in essence, I get to write Incident Reports and Correspondence of global magical clandestine operations in an alternate reality.

Just reading that I get excited.

(Now just to make sure they end up being exciting as they sound, ha!)

Camp NaNoWriMo hit just in time to help complete this thing. It’s going to be a novella (I think anyway…) so less words to write, but unfortunately I’m being so nitpicky about the craft and details it’s getting in the way of getting words down. I’m re-remembering to just get the words down and worry about editing later. Thus, Camp NaNoWriMo is helpful as the kick in the pants I need. I want to have this thing done by the end of April. I’ve written 50k in NaNoWriMo several times before; getting out 30k more should be just fine as long as I stay focused.

Speaking of focused. I need to turn my attention to writing all those words! This whole weekend ended up being “manual labor weekend” with barn cleaning and house building, and before that I was flat on my back as a migraine reminded me I’ve been messing with my sleep schedule a little too much (excuses, excuses). I need to get back at it. I still don’t feel fully recovered, but maybe the fuzzy-headedness will help just get the words out and not have a complex over all the details…

Thanks for reading, friends! Stay tuned for April’s update in a few weeks; this post ended up being a little late for a variety of reasons, next time’s should be on time. Let me know what you think, share experiences, feel free to commiserate …

Happy writing!


Published: Behind the Scenes (Jan 2017)

 

Published- Behind The Scenes.png

Yeesh, writing “2017” is still weird. But anyway. Welcome to the first segment of my new series, where I talk about the behind-the-scenes action of being published!

So in October 2016 I signed the contract to sell my Initium series to Glass House Press. Pretty much the very first thing that happened:

“Let’s look at your author platform!”

How did I know this was going to happen? Oh right, the entire writing world tells you about it. So, things started happening, like social media calendars, starting up a FaceBook author page (which I don’t hate as much as I thought — hey, if you want to like it and follow my updates more in detail, here it is), and discussing how many pictures of my freaking goats I post on Instagram (heheh).

The past couple months have been about setting goals and thinking about branding as a whole. The holidays took up a lot of time and headspace, so that was mostly easy, fun stuff. When 2017 hit, it was time to get serious (<– I almost wrote that ‘series’, ha!). Anyway. *cracks knuckles*

The part I’m struggling with the most is finding and actually utilizing my ‘keywords’ in a natural way. The whole point of social media as an author is to be able to connect with potential readers, to find them and make connections before the actual book comes out. So if you want the right people to connect with you, who are interested in the concepts/themes in your story… you have to effectively find/attract them through keywords.

So while I can tweet/post indefinitely like #fantasy #alternatehistory #strongwomen #solarpunk etc etc etc — I definitely feel that it’s the bare minimum of what to do, and there has to be a better way to do it. It needs to feel natural, not like I’m awkwardly waving off in the corner and nobody really knows what I’m doing there.

Do I know the answer to that yet? Not really.

(Though I am having a lot of fun finding really cool pictures to post on Instagram. Seriously, I feel like a image hoarder right now.)

Another aspect of it — as you probably know — is that you want people to make connections to you as a writer. They’ll hopefully want to buy your book when it arrives, but that’s not the point. You’re supposed to make connections and build relationships as your primary goal.

So there’s this balance between ‘keywords my book is about’ (AKA finding the right people) and ‘being naturally you’ (being genuine so people don’t think you’re a robot). I’d like to say I’m pretty good at that last part, and am working to incorporate the first part… but we’ll see.

 

As for what’s happening with the actual manuscript… the first thing to tackle is developmental editing. Basically, my editor wants to make sure that the whole series fits together and is pushed to it’s best possible potential. Big picture stuff. Does-what-happens-in-book-four-make-sense-with-what-happens-in-book-two. Etc.

I haven’t gotten the letter with developmental edits yet, because my editor has been slammed getting authors ready with books coming out here shortly. But we have been talking informally about basics.

Liiiiiiike — big reveals that happen in book four must be foreshadowed in the previous books if it’s a big freaking plot hole. If it’s a plot hole that’s supposed to be there, you’ve got to let the reader know YOU know it’s supposed to be there.

Which, apparently, I did well with Fairian’s whole obsession with finding secrets. I reveal to there readers that HEY LOOK THERE’S SOMETHING REALLY WRONG WITH GEOGRAPHY I KNOW IT’S WRONG JUST BEAR WITH ME without giving them answers. And then drag out allllll the secrets for several books…

Eh-hem. It’s good to know I did that part right, because the waiting in strangling anticipation for the edits letter is only killing me slowly. I am so ready to tackle to this thing and turn it into an even better beauteous creation of awesome.

So. Moral of the story: publishing really does take a long time, for various reasons. Use the time to beef up your author platform. And meanwhile, write more books!

I feel like there should be a lot more to tell, but that’s all I can think of for now. It ought to get more exciting as things progress; stayed tuned for the end of February update!

 

Happy writing,

R. K. Brainerd


Upcoming Blog Series: Behind The Scenes in Being Published

Published- Behind The Scenes.png

As many of you know, I sold my now-titled Initium series to Glass House Press in later 2016. I knew from the beginning I wanted to share as much as I could about this whole process, what it entails, my reactions and feelings — just so you all would have an idea of what it looks like when you get your awesome books deals (if you’re going the traditional route, of course!).

In my effort to be organized and pretend like I know what I’m doing, I’ve decided to create a blog series. It will be called “Published: Behind the Scenes,” and at least one blog post a month on AwakeDragon will be solely dedicated to detailing all the details I can describe (

I don’t have an agent, so this is me and my publisher, one on one. Hopefully, in all these posts, you’ll get a glimpse into what to expect — and maybe know how to improve right now in what you’re doing, based on my experience.

Needless to say, this is going to be a LONG series. It will, at the very least, last throughout 2017, and probably through most of 2018. Just based off of the first few months I’ve had this contract, I’m going to guess this series I will cover a broad variety of topics:

  • developmental editing
  • copyediting
  • structural editing
  • stylistic editing
  • (repeat: editing, Editing, EDITING)
  • marketing
  • branding
  • author platforms
  • book launching
  • debuting terrors
  • handling criticism
  • improving as a writer

I also have a feeling that some months there may not be that much to say. As many of you already know (or guess), publishing is a looooonnnnnnng process. I’m just now starting to realize why. Everything takes so much longer than you expect!

Some of it will be diary-like. Some of it may be more technical. And I’m sure that my experience is going to differ from other’s experiences. My publisher is a small publisher focusing on intense, high-quality literature — I love their vision and what I think they can do for me. Small publishers have more time to spend with authors, helping and cultivating them. Smaller publishers depend on authors more for marketing and such. This is going to vary if you’re picked up by a bigger publisher, or have an agent. (Even within the same publisher I’m sure experiences will be different) I want to share my experience for fun and for reference; but I’m not saying everyone’s journey will be like mine.

Okay, and finally: to keep all these posts organized, I’ve done a few things. All posts will be linked at the bottom of this post, so they’re all in one place. All posts will link back to this post, so everything else can be found. Also, I’ve set up a new category dedicated to these posts, which can be found on the righthand side of this blog that will take you to said posts. Lastly, I may even create a new page that can be accessed from the menu at the top of AwakeDragon, so it’s just that much easier to click and find.

What do you think? Is everyone excited? I’m excited!

Posts:

January 2017

February 2017

March 2017

April 2017


What is half-published, you say?

Half-published is when you’ve signed a contract with a publisher but your book isn’t out in the world yet.

Because yeah. That’s what’s happening. With me.

Like, what? Me? I have a what now?

*deep breath*

I am officially signed with Glass House Press for my INITIUM series, starring Fairian, my cranky answers-driven heroine, and Daimyn, my intense immortal guardian of the innocent.

*soundless flailing as I can’t decide what emotion to stick with*

Actually, I’m rather surprised at how I feel about it. I was thinking I’d be giddy, or so excited I felt sick, or doing the omg what did I just get into thing. Instead, I feel so light. With a huge dose of LET’S FREAKING DO THIS. I am so ready to make this happen I can barely stand it. I know at some point I’ll be overwhelmed by editing, marketing, etc — but right now I’m incredibly eager to make it happen and learn and see what works.

I feel solid. Grounded. Determined and excited. Which makes me feel like I’ve made a really good decision and am totally ready for this.

It’s going to be an incredible adventure.


Thoughts from a Meeting Today

I met with a published author today, who I came in contact with through my doctor, of all things. She was pretty awesome, and I got some insights into the publishing world and what I should expect. The gist of the conversation was that ALL publishing methods have pros and cons, you MUST be an aggressive advocate for yourself, and you have to be patient. (Yeah, those last two seem to contradict each other. You really have to be both.)

I was worried about meeting her at first, because her novels are based on real-life events of her adventures in Burma. As mine are fantasy based, there seemed to be a difference gap there. But we both found ground in the fact that we both wanted to teach through our literature – to expose people to ideas that they wouldn’t normally be exposed to.

I was delighted to learn that she was pretty impressed with my views on what publishing really means, so I feel a little more confident that I might have a inkling on what to expect in getting myself out there. She told me I had a good set up for being smart about the business aspect of writing, due to what I was writing about, the practical and realistic head on my shoulders, and the time I had available due to my situation in life (aka, no kids and/or working an exhausting amount of hours yet).

I’m nervous about self-publishing due to my inexperience, so I’m taking the longer route that I hope will provide more of a foundation and learning experience. She had a bunch to say about that too, including the fact I should be sending book proposals to editors, not just agents and publishers. She’s not a fan of huge publishing houses (as they are bogged down with inefficiency and overloaded with submissions) nor agents (also overloaded with submissions), but that all methods are going to have pros and cons. You just have to choose the ones you can live with.

She didn’t have a lot of good to say about self-publishing, which was fascinating because all I tend to hear from people is the chant about how self-publishing is the best option. She’s not impressed with the distribution ability of self-publishing, how Amazon takes advantage of self-published authors, and how all promoting rests on the author’s abilities. As most first-time authors don’t have a clue how to promote effectively (myself included), it results in the crash-and-burn scenario which I see happening around me quite often. Readers don’t just “find” your book, especially considering the saturation of the market.

That being said, total control and the speed of getting books out there is nothing to scoff at: it all depends on what your strengths are as an author. That being said, skills are going to change and grow over time – maybe your publishing method will too.

Anyway, the point of this long ramble for all of you, is that you should dissect the pros and cons of each publishing method and choose the one that’s right for you. People will talk, everyone had a bias, and only you know what your abilities are and what vision you have for your writing. And it seems to me that “the Traditional Route” and “the Self-Publishing Route” are not as cut and dry as it seems – there are variations in how individuals can creatively engage their readership.

As a final note, I was recommended a book that details all the pros and cons of each publishing method and what it entails. I haven’t gone through it yet, but it’s called “How To Get Happily Published,” and it’s website is here.