Tag Archives: author interview

Debut Authors of ’18: Rachel Dacus

Hello and welcome to my blog series dedicated to author interviews for 2018 debut authors! This has been started as a way to support some of my fellow ‘debutantes’ of 2018. Some of the genres may be a little outside while I usually write/talk about here, but each of these I share struck my interest in one way or another.

(See past author interviews at the end of this post!)

This one struck my interest immediately, just from content and themes. I cannot wait to dive into it!

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GENERAL

– Author Name: Rachel Dacus

– Book Title: The Renaissance Club

– Book Genre: Time Travel with Romantic Elements

– Release Date: January 16, 2018

– Publisher: Fiery Seas Publishing

THE BOOK

The Renaissance Club is the story of May Gold, a young art historian who falls through a fold in time during a tour of Italy. May’s luck accident brings her face to face with the artist hero she’s specialized in, and dreamed about, 17th century genius sculptor Gianlorenzo Bernini. The meeting turns her life in the present upside down and forces her to decide if her adventure in time will ruin her life, or lead to a magical new one.

TEASER TIME:

“Sorry!” she said, backing up.

Signorina, watch where you’re going!”

The young man in black frowned and didn’t apologize. With his long, dark hair and white sleeves rolled up on muscular forearms, he looked like an art restorer. A black jacket was draped over his shoulders. He held a long wooden measuring rod, the kind used by architects centuries ago. Maybe he was rehearsing for some sort of pageant.

“Ladies are not allowed here while I’m working,” he said stiffly. He aimed the rod at the nearest column and sighted up along it.

“I know you!” she exclaimed. She knew him well.

He straightened his jacket and bowed. “Everyone in Rome knows Cavaliere Bernini. But you may not be here. I need silence. I have a very big work to complete.”

His finger pointed up at the four twisted bronze columns, where May was astonished to see no bronze canopy on top. Tons of bronze had simply vanished. She looked back at him. Bernini lifted the instrument and peered up at the nearest column. Her living, breathing idol moved to one side to get a better angle. Lean and strong, he was even more handsome than in his self-portrait.

Now he was so intent on his investigation that he seemed unaware of her and the fact that her pulse was pounding. How had she come here, and where exactly was she?

He lowered the measuring rod, framed the air with his hands, and used his fingers to make rapid computations. He stared at her so intensely that she shivered. She remembered that searing gaze in his self-portrait.

“You’re disturbing me, signorina.” He turned away, clearly expecting her to leave.

How could she possibly move? Here was her genius, his hair curled with wiry energy, materializing the restless mind under it. His prominent cheekbones gave him the Neapolitan look that had embarrassed him and made him fabricate a Florentine heritage. He made a few quick calculations and looked at her again, eyes narrowed.

“I won’t say a word,” she promised.

He was obviously contemplating how to throw her out. Bernini wasn’t much taller than she was, but he made every inch of the difference count. May stared back, as defiantly as she could, while stunned and unable to forget the many times she had imagined his powerful arms pulling her close. She stared back, asserting herself silently as his historian. Historians didn’t blink. Though most never met their subjects face-to-face.
– Where did you get the idea?

An art history tour of northern Italy, much like the one depicted in my story, kindled a wish to meet some of the great artistic geniuses behind the Renaissance. Though I know in real life, time-travel isn’t possible, I found a way to meet one of the most spectacular artistic geniuses who ever lived—by recreating him as my hero!
– What’s the story behind the title? 

No one has ever suggested I change the title since the first query I sent out or the last editor at my publishing house. The title comes from the touring group, who named themselves The Renaissance Club.
– No spoiler, but tell us something we won’t find out just by reading the book jacket.

An older woman, a member of The Renaissance Club, also has an adventure in time on the tour. It changes her life and her view lof her employee, our main character.
– Tell us about your favorite character.

Though May and Bernini are my main characters, the story couldn’t exist without time travel guide George St. James. Based—amazingly—on a real person (and I won’t say whether he could go time traveling or not), George has his own complicated backstory and reason for helping others to realize their full potentials. The time traveling quirk he developed as a child was something he had to learn to tame, and like the person he’s based on, George became a master at turning unusual ways of looking at life into a way to serve others.
– If you could spend a day with one of your characters, who would it be and what would you do? 

I’d certainly spend a day with Bernini. Like May, I’d just watch him work. They said Bernini could chisel marble for eight hours straight without stopping. He himself reported that while working on a sculpture, he was in a state of bliss. I’d like to observe that, though I would need a lunch break! But who knows what would get started by simply observing a charismatic genius. As May discovered, all kinds of delicious complications might arise.
– Are your character based on real people, or do they come from your imaginations?

Bernini and George St. James are based on real people. Bernini, of course, on himself, the real 17th century artist who evolved the Baroque style to its height of expressiveness. George is a composite of teachers and tour guides I’ve known.

 

WRITING PROCESS

– How long did you take to write this book? (You can share about the timeline from drafting to publication)

I began with the concept seven years before I sold it to a publisher. That’s a long, long journey, and a nearly gave up toward the end, but because I had such fantastic help from top editors and beta readers, I just couldn’t. I’m really hoping my next book will be a shorter journey!

– What kind of research did you do for this book?

I read everything that can be found on Bernini, attended a year-long art history course on The Italian Renaissance, and completed that course with a three-week tour of the art in Italy made by Renaissance geniuses.

– What did you remove from this book during the editing process?

I removed one character arcs and demoted a point-of-view character to a much smaller role.

– Are you a plotter or a pantser?

I’m a definite pantser, though I try to hide the fact by constructing careful outlines, spreadsheets, plot graphs, and timelines after the novel is finished.

– What is your favorite part of your writing process, and why?

My favorite part is drafting. The thrill of delving into my subterranean imagination, moving into that not-quite-conscious realm intrigues and amazes me, every time I do iot.

– What is the most challenging part of your writing process, and why?

Revising is definitely the challenging part, because it engages both the analytical and creative sides of the mind, a balancing act that reminds me of juggling on a bongo board—which I once was taught by circus performers in exchange for giving them a few ballet lessons.

– Can you share your writing routine? (e.g. How do you carve out your writing time? Where do you normally write?)

I write for one to two hours every morning, first thing if possible. Longer if possible. My longest writing stint is probably about six hours.

– Have you ever gotten writer’s block? If yes, how do you overcome it?

The way I overcome it is by juggling multiple projects. If I can’t write on one, I switch to another and find my flow.

– If you could tell your younger writing self anything, what would it be?

Don’t give up!

– How many unpublished and half-finished books do you have?

Too many to count.

– Do you have any writing quirks?

Probably the overuse of the word “awhile” which spell-check keeps telling me should be two words.

 

THE WRITER

I’m a grant writer and fundraising consultant for my day job, the proud pal of a Silky Terrier, who bosses me and my husband around, and a volunteer for several local nonprofit organizations. They work on a local level to move impoverished people back into the mainstream, and provide day excursions to delight children who are living in poverty. Doing all these things keeps me far too active. I’d like to retire and write all day, but I’d never trade away seeing the perfect smile on a child’s face!
– How did you get into writing?

I blame my mother and a wonderful bookstore in Long Beach, California called Acre of Books, which introduced me to the idea that I could own such books as the Oz books, Nancy Drew, and the rainbow fairytale books. I took the owning one step further and started writing books for myself to read.
– What do you like to do when you’re not writing?

I like to feed and watch animals and birds, grow orchids, sew, shop, and hang out in cafes, preferably writing.
– Apart from novel writing, do you do any other kind(s) of writing?

I write grants and mailings for my nonprofit clients, and have authored four poetry collections, one of which is forthcoming in 2018. I also write plays and have the fun of seeing them occasionally produced.
– Share something about you most people probably don’t know.

Because my father was a rocket scientist, my name is on a floating piece of space junk.
– Which book influenced you the most?

Probably Emma by Jane Austen for its witty treatment of an entire village and the best unreliable narrator ever.

 

WHAT’S NEXT

– What are you working on right now?

I’m working on The Romantics, the story of two half-sisters who clash over their inheritance, a cottage in northern Italy, with its resident ghost, the poet Percy Bysshe Shelley.
– What’s your favourite writing advice?

Never give up!

– The book you’re currently reading

Currently I’m reading The Weird Sisters by Eleanor Brown.

OTHERS

Q: Why do you think fiction can change the world?

A: Because stories touch the heart deeply and become part of the reality of our lives, when we move fully into them. Every story has a purpose, and is about human growth, and that’s the force that can change everything.

THE PITCH

When young art historian May Gold slips through a fold in time while touring northern Italy, and comes face to face with her artist hero, 17th century sculptor Gianlorenzo Bernini, it ignites a powerful attraction that takes her on a romantic and creative journey. This adventure will challenge her to decide what she would give up to be with her soul mate and live a creative life—perhaps even the time in which she lives.

BLURBS

Enchanting, rich and romantic…a poetic journey through the folds of time. In THE RENAISSANCE CLUB, passion, art, and history come together in this captivating tale of one woman’s quest to discover her true self and the life she’s meant to lead. Rachel Dacus deftly crafts a unique and spellbinding twist to the time-traveling adventure that’s perfect for fans of Susanna Kearsley and Diana Gabaldon. — Kerry Lonsdale, Wall Street Journal Bestselling Author

 

The Renaissance Club is a beautifully written story about a woman torn between two worlds—the present and the distant past. This time-travel adventure kept me guessing until the end about which world May would choose, and if that choice would be the right one. Highly recommended for lovers of time travel fiction or anyone looking for a compelling story about a woman trying to find happiness. — Annabelle Costa, Author of The Time Traveler’s Boyfriend.
BUY LINK

AMAZON: https://www.amazon.com/Renaissance-Club-Rachel-Dacus-ebook/dp/B07832TVWN/ref

 

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BIO

Rachel Dacus is the author of Gods of Water and Air, a collection of poetry, prose, and drama, and the poetry collections Earth Lessons and Femme au Chapeau. Her poetry and prose have appeared in Atlanta Review, Boulevard, Prairie Schooner, The Pedestal, and Valparaiso Poetry ReviewThe Renaissance Club, her time travel novel involving the great Italian sculptor Gianlorenzo Bernini, is forthcoming in January 2018 from Fiery Seas Publishing. Her fourth poetry collection, Arabesqueis forthcoming in August 2018 from FutureCycle Press.

SOCIAL MEDIA

Website: racheldacus.net
Facebook: https://www.facebook.com/Rachel-Dacus-Poet-Writer-514837478526919/
Twitter: @Rachel_Dacus
Instagram:
Pinterest: https://www.pinterest.com/rdacus/pins/
Goodreads: https://www.goodreads.com/author/show/987726.Rachel_Dacus

 

Previous author interviews:

Pamela Kopfler – BETTER DEAD

Anna Quinn – THE NIGHT CHILD

Clarissa Harwood — IMPOSSIBLE SAINTS

Negeen Papehn — FORBIDDEN BY FAITH

Clarissa Goenawan — RAINBIRDS

Cass Morris — FROM UNSEEN FIRE

YZ Chin — THOUGH I GET HOME

Jennifer Haupt — IN THE SHADOW OF 10,000 HILLS

Carolyn M. Walker — IMMORTAL DESCENT

Samantha Heuwagen — DAWN AMONG THE STARS

Rachel Pudelek — FREYJA’S DAUGHTER


Debut Authors of ’18: Rachel Pudelek

Hello and welcome to my blog series dedicated to author interviews for 2018 debut authors! This has been started as a way to support some of my fellow ‘debutantes’ of 2018. Some of the genres may be a little outside while I usually write/talk about here, but each of these I share struck my interest in one way or another.

(See past author interviews at the end of this post!)

Oh. My. God. have I been waiting excitedly for this book. Now only is it Urban Fantasy (one of my favs) and has an incredible premise, but it’s rooted in fantastic, women-power mythology that gives us all a wonderful twist to old tales. I am so excited to dive in!!!

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GENERAL

– Author Name: Rachel Pudelek

– Book Title: Freyja’s Daughter

– Book Genre:Urban Fantasy

– Release Date: May 22, 2018

– Publisher: City Owl Press

THE BOOK

FREYJA’S DAUGHTER is the first in a feminist fantasy series and introduces Faline Frey, a bounty hunter and member of the Washington huldra coterie, who must unite the succubi, harpies, mermaids, and rusalki to rescue her sister and escape the clutches of the Hunters, the mysterious men who have been controlling the Wild Women for centuries.
Teaser time!

Well behaved women seldom make history, but they still end up as the monsters in folklore.
– Where did you get the idea?

While researching ancient goddess-worshipping cultures I noticed how mythology about goddesses and folkloric females shifted as women became more oppressed due to political and/or religious changes. I wanted to tell a similar story, about folkloric women who used to be wild and free and powerful, who were told lies about their very existence, that their wildness must be contained due to its uncontrollable nature. Until one huldra stumbles upon the truth when her own containment cracks open and her wildness flows freely.
– What’s the story behind the title? (e.g. who came up with it, did your publisher change it, etc.) 

Each book in the Wild Women series is based on a goddess of each Wild Women group. The first book concentrates on the huldra, and their goddess/creatrix is Freyja, so that’s why I call it Freyja’s Daughter. I came up with it and both my agent and my publisher loved the title so it stayed.
– No spoiler, but tell us something we won’t find out just by reading the book jacket.

Each of the different Wild Woman types were created by a different goddess who breathed her life and abilities into her highest temple priestesses before her temple fell to patriarchal invaders. This backstory is touched on throughout the book (more will unfold as the series progresses) and is the basis for the Wild Women’s belief systems and moral codes as well as differing values.
– Tell us about your favourite character.

I love the main character Faline, but the funnest character to write was Marie, the succubi leader. She’s morally ambiguous, says what she thinks, and just sees life itself as a play thing. I love that about her.
– If you could spend a day with one of your characters, who would it be and what would you do? 

I’d pick the brains of the rusalki, ask them about everything spiritual. The rusalki in Freyja’s Daughter are a group of Wild Women whose power has a lot to do with divination. They’re odd (think adult, recluse Luna Lovegood’s from Harry Potter) and speak mostly in riddles, but spending a day learning their secrets sounds like fun to me.
– Are your character based on real people, or do they come from your imaginations?

My characters are based on real folklore, except for the Hunters, I made them up by tying bits and pieces of groups who oppressed others throughout history and mythology. Each group of Wild Women is from legend. Each goddess they worship is from ancient mythology/belief systems. Their personalities, though, I absolutely fabricated.

 

WRITING PROCESS

– How long did you take to write this book? (You can share about the timeline from drafting to publication)

It took me about a month or two to draft this book, but it took many more months of editing and revisions as my agent and I passed it back and forth, before it was ready to go on submission.

– What kind of research did you do for this book?

I actually have a list of non-fiction books I read as research for my Wild Women series on my website. I read books, visited museums, listened to podcasts, and watched documentaries on ancient goddess cultures, mythology, and matrilineal and matriarchal cultures.
– What did you remove from this book during the editing process?

After the first pass by my agent I had to totally rewrite the first five or so chapters. My agent is incredibly editorial. But once the book sold to a publishing house, I removed nothing.

– Are you a plotter or a pantser? Both and neither. I write a one-page outline and then pants it from that outline.
– What is your favorite part of your writing process, and why?

The drafting phase is my favorite.I love getting the chance to create worlds and beings in those worlds, to allow my imagination to unfurl.
– What is the most challenging part of your writing process, and why?

I don’t enjoy the early editing phase, the part when I have to figure out how to fix major plot issues or rearrange difficult scenes.
– Can you share your writing routine? (e.g. How do you carve out your writing time? Where do you normally write?)

I don’t have much of a routine. I do what I call “book work” every week day. I mostly work from my couch, or on particularly distracting days I’ll work in a cubby desk at my local library.

– How many unpublished and half-finished books do you have?

At this moment I have five full-length unpublished novels and one novella. And three half-finished novels.

– Do you have any writing quirks?

I’m not sure if this is a quirk, but I have a Costco-sized box of caramel-covered apple suckers that I’m only allowed to enjoy while editing. They help alleviate some of the sting.

 

THE WRITER

– How did you get into writing?

I’ve been writing for as long as I can remember. I still have a writing reward from elementary school. 🙂

– What do you like to do when you’re not writing?

I love wine tasting and hiking and kayaking–just getting out in nature and enjoying its offerings.

– Share something about you most people probably don’t know.

I’ve lived in four states and two countries

– Which book influenced you the most?

This may sound cliche, but the Twilight series by Stephenie Meyer was huge for me. I gave up my passtime of reading and writing when I had my kids. The Twilight series sucked me in in such an emotional way, (even the setting of my home state of Washington acted as balm to my homesick heart) that it reignited my creative side and made me want to write again.

WHAT’S NEXT

– What are you working on right now?

I’m currently working on Lilith’s Children, the second book in the Wild Women series, and putting the polishing touches on a paranormal YA.
– What’s your favourite writing advice?

Perseverance is key.

TELL US…

– The book you’re currently reading

Right now I’m reading Viking Warrior Rising by Asa Maria Bradley, and loving it.

THE PITCH

Well behaved women seldom make history, but they still end up as the monsters in folklore.

Faline Frey is a bounty-hunter, more comfortable relying on perp files and handcuffs than using her huldra powers to take down a suspect. No sense in catching the unwanted attention of her local Hunter authority, a group of holy soldiers born to police the supernatural and keep Wild Women—huldras, mermaids, succubi, rusalki and harpies—in check.

All that changes the night she heads out for a date, hoping to get lucky. Instead, she gets screwed.

Now her sister is missing, along with Wild Women from all over the country. The Hunters are on her tail and the one person offering to help is her ex-lover, Officer David Garcia, who has just enough ties to the supernatural world to hang her with. To unite her enemies against their common foe, Faline will need to convince the Wild Women to do the one thing she fears most—exhume their power buried deep beneath centuries of oppression. That is, if she can keep them from killing each other.

BUY LINKS

http://smarturl.it/FreyjaAmz

 

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BIO

Rachel Pudelek is a dog-hugger and tree-lover. Growing up with three sisters sparked her passion for both women’s history and women’s advocacy, which led to her career as a birth doula and childbirth educator. These days she channels those passions into writing fiction. When she’s not writing, Rachel enjoys hiking, attempting to grow her own food, or reading.

Rachel lives in Seattle, Washington with her husband, two daughters, two dogs, a cat named Lucifer, and two well-fed guinea pigs. Freyja’s Daughter is her debut novel.

SOCIAL MEDIA

Website: http://rachelpudelek.com/
Facebook: https://www.facebook.com/AuthorRachelP/
Twitter: https://twitter.com/rachelpud
Instagram: https://www.instagram.com/rachel_pud/
Pinterest: https://www.pinterest.com/dog0hugger/freyjas-daughter-by-rachel-pudelek/
Goodreads: https://www.goodreads.com/author/show/17238794.Rachel_Pudelek

 

Previous author interviews:

Pamela Kopfler – BETTER DEAD

Anna Quinn – THE NIGHT CHILD

Clarissa Harwood — IMPOSSIBLE SAINTS

Negeen Papehn — FORBIDDEN BY FAITH

Clarissa Goenawan — RAINBIRDS

Cass Morris — FROM UNSEEN FIRE

YZ Chin — THOUGH I GET HOME

Jennifer Haupt — IN THE SHADOW OF 10,000 HILLS

Carolyn M. Walker — IMMORTAL DESCENT

Samantha Heuwagen — DAWN AMONG THE STARS


Debut Authors of ’18 Interviews: Carolyn M. Walker

Hello and welcome to my blog series dedicated to author interviews for 2018 debut authors! This has been started as a way to support some of my fellow ‘debutantes’ of 2018. Some of the genres may be a little outside while I usually write/talk about here, but each of these I share struck my interest in one way or another.

(See past author interviews at the end of this post!)

I AM SO EXCITED AN URBAN FANTASY (which is probably my most favorite genre ever). I’m a bad, bad reader and author and have not made the time to read this yet (bad, bad Rebekkah), but I am SO excited to partake on the journey Ms. Walker has crafted.

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GENERAL

– Author Name: Carolyn M. Walker

– Book Title: Immortal Descent

– Book Genre: Urban Fantasy

– Release Date: 4/3/18

– Publisher: Clean Reads/Astrea Press

THE BOOK

Immortal Descent is about the mystery of immortality coming to the forefront in the modern world. A young man gets thrown into the underground world surrounding an age-old secret and he discovers he plays an integral part in a dangerous plot that has potentially epic consequences.

Teaser time!

He couldn’t explain it; he couldn’t justify it. All he could think of in that moment was it was all real. What he’d just seen in those memories had been real.

“The woman—what was she?” Ethan asked, still speaking just above a whisper.

“It was a Lorn.”

 

– Where did you get the idea?

The idea originally came from studying world religion. The notion of immortality and how it was portrayed across world cultures was fascinating to me. The more I thought about it, the more I thought “what if” and before I knew it I said, “why don’t I write a novel about it.”
– What’s the story behind the title?

I came up with the title myself. I love to play on words and the title has a dual meaning. Immortal represents immortality of course but descent represents the mysterious lineage of the Lorn creatures in my story, as well as the downward spiral into the unknown—a descent which the main character makes.
– No spoiler, but tell us something we won’t find out just by reading the book jacket.

There is an entire backstory to Ethan that plays an important role in the story. It will also come up again in future installments since this book is the first in a series.
– Tell us about your favourite character.

My favorite character is Rue. She is the main female character, opposite Ethan. Her sense of duty, strength, and ethics are deeply rooted qualities that make her memorable.


– If you could spend a day with one of your characters, who would it be and what would you do? (P.S. Please keep it to PG-13)

I would spend the day with Oryx, one of the oldest Lorns in the book. He is one of the most interesting characters with an interesting past, and the ability to see the future. He is very knowledgeable about the world of Immortal Descent and I know he’d be a most gracious host as is his personality!
– Are your character based on real people, or do they come from your imaginations?

I would say certain elements might have been plucked from a person or two but really just certain attributes from here and there. I didn’t base any character on any one person. The majority of their makeup was from my crazy imagination!

 

WRITING PROCESS

– How long did you take to write this book? (You can share about the timeline from drafting to publication)

The mere notion for the story came as a partial short story idea way back in 2002. Shortly after, I shelved the idea for years before picking it back up in 2015. I finished writing it that year, began querying it out in early 2016 and a few months later I landed my publishing contract with Clean Reads.

 

– What kind of research did you do for this book?

I did TONS of research for Immortal Descent. I did a lot of reading of historical books, mythological texts, and scholarly journals. I also had to brush up on international travel because half the book takes place in Western Europe.
– What did you remove from this book during the editing process?

I had a scene that was heavy foreshadowing of the conflict that comes to the forefront in Book 2. I found it to be ill-placed so early on in Book 1, so I omitted it and saved it for the early part of the next installment.
– Are you a plotter or a pantser?

Definitely a plotter.
– What is your favorite part of your writing process, and why?

My favorite part is the research in the beginning because I love to learn and educate myself on new things. I also enjoy the editing process where I’m polishing it up for the final run. I love seeing the finished product, so I can sit back and just be proud.
– What is the most challenging part of your writing process, and why?

The most challenging part for me is laying the groundwork in writing. There are times when the story comes to me like a flowing faucet and I can’t type fast enough to keep up. Other times (when the faucet seems clogged) it can be frustrating and challenging to keep plodding along.
– Can you share your writing routine? (e.g. How do you carve out your writing time? Where do you normally write?)

Normally I plan ahead in my mind with a goal, such as “I am going to write for two hours today.” Then I devote time to that writing without distractions in my home office. I tend to be a night owl, so a lot of the magic happens at night.
– Have you ever gotten writer’s block? If yes, how do you overcome it?

If it means sitting and staring at a blank screen because I literally have no idea on how to start (or continue), then yes! I combat it by either skipping the troublesome area or throwing myself into research. Research gets me thinking about stuff and before I know it, an idea pops into my head and bam, I’m writing again!
– If you could tell your younger writing self anything, what would it be?

Do NOT doubt yourself! Thinking you cannot do something is as good as not doing it. Oh, and stop editing stuff to death—learn to let go!
– How many unpublished and half-finished books do you have?

Oh boy. I’d say about a couple dozen!
– Do you have any writing quirks?

I talk to myself. I always read blocks of passages out loud before moving on. It helps me understand the writing beyond just what’s on paper.

 

THE WRITER

– Tell us about yourself. (e.g. day job, family, pet, etc)

In addition to being a creative writer, I write professionally as a copywriter. I’m also a mom to a fast-growing teen girl and a loving wife to my hubby of 13 years! We have a long-haired chihuahua named Dixie. 😉
– How did you get into writing?

Writing has been a part of my life since childhood and will be for the rest of my life. I wrote my first short story at 6, won my first state-wide writing award at 12, and published my first short story at 19 in a small literary journal. My mom fostered my love for words with an endless number of books and writing tools at home.
– What do you like to do when you’re not writing?

I love to read (surprise!) but I’m also a serious foodie and I like to recipe scrapbook! Making and cataloguing Halloween treats and holiday sweets are especially fun for me!
– Apart from novel writing, do you do any other kind(s) of writing?

I sure do! I’ve worked many years as a professional copywriter, technical writer, and ad copy writer for several firms, nationwide. I also dabbled in ghostwriting for a brief time.
– Share something about you most people probably don’t know.

I’m 20% fluent in Japanese, ha ha! I took it as my foreign language of choice in college, and I’ve always admired the culture, food, music and fashion, alongside the language. Some day I want to become fully fluent; it’s a work in progress. 😊
– Which book influenced you the most?

Many books have influenced me, but I would say that C.S. Lewis’ The Lion, the Witch and the Wardrobe really got me fascinated with fantasy as a child. To this day, I still adore that story!

 

WHAT’S NEXT

– What are you working on right now?

I am working on a couple of different projects right now. One is a heartfelt romance, another is a young adult thriller, and the third is a sci-fi story. I’ve always wanted to write a really good sci-fi story!
– What’s your favourite writing advice?

Always keep writing. It’s simple but really means the most to me. As a writer, I must keep doing what brings me the greatest joy—write (even if it’s for 10 minutes in a day, never stop).

TELL US…

– The book you’re currently reading

The Condition (book 1) by Alec Birri.

– What is one of your favorite quotes?

Smile. “Today is the tomorrow you worried about yesterday.” – Dale Carnegie

 

PITCH

Ethan West knows what it means to be different, with a haunted past and a strange sixth sense he sometimes can’t control. When he’s brutally attacked and narrowly saved by a beautiful and mysterious woman, things quickly become strange.

Ethan learns an ancient race of immortal beings known as Lorns exist and he is to be reborn as one. Suddenly thrust into a dark and bizarre world of underground societies, ancient secrets, and an age-old war, Ethan becomes a target to some and a savior to others. With a dark faction after him, Ethan struggles to understand his own purpose and power—an ordeal that tests his loyalties, beliefs, and sanity in ways unimaginable.
– Give one or two of your favourite blurbs.

“Deep in the caves of rural Western Germany, the truth about immortality has remained a secret for centuries, but now that secret is about to break free…”

“Ethan West knows what it means to be different. With a haunted past and a strange sixth sense he sometimes can’t control, Ethan’s in search of a better future. Instead, he’s brutally attacked. Narrowly saved by the beautiful and mysterious Rue, Ethan quickly learns the world is darker and more bizarre than he had ever imagined. And sparing his life comes with a price: being reborn immortal. Now, a dark faction of ancient, cursed immortal beings known as Lorns are after him. And they want his rare, newly awakened soul.”

“Descended from the mythological Nephilim, Lorns are bound by either the divine force of order or the mortal force of chaos. Ethan is a rarity, bound by neither, yet he is ruled by both. Now, wielding an ancient and volatile power, Rue and her Alliance work to keep Ethan from spiraling out of control. At the heart of a terrifying underground war between Lorns, Ethan becomes the target of one side and a savior to the other. Amid everything, Ethan struggles to understand his own purpose and power—an ordeal that tests his loyalties, beliefs, and sanity in ways unimaginable. And the greatest danger is yet to come.”

 

BUY LINKS

AMAZON: https://amzn.to/2jEGjxZ

 

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BIO

Carolyn M. Walker is a California native and lover of all things literary. As an avid reader, she’s always enjoying new and exciting reads. Now as an avid storyteller, it is her mission to bring that same joy to her beloved readers. After earning her Bachelors in English Literature and Psychology, Carolyn went on to pen the draft for her first fiction novel and hasn’t looked back since. Aside from writing, she is also passionate about art, food, travel, history, and music. Carolyn now lives in sunny Florida with her husband and daughter. Carolyn’s debut novel Immortal Descent, comes out in April 2018.

SOCIAL MEDIA

Website: https://carolynmwalker.wordpress.com/
Facebook: https://www.facebook.com/carolynmwalkerwrites
Twitter: https://twitter.com/MissWriteWise
Instagram: https://www.instagram.com/misswritewise/
Pinterest: https://www.pinterest.com/misswri/
Goodreads: https://www.goodreads.com/author/show/17271041.Carolyn_M_Walker

Previous author interviews:

Pamela Kopfler – BETTER DEAD

Anna Quinn – THE NIGHT CHILD

Clarissa Harwood — IMPOSSIBLE SAINTS

Negeen Papehn — FORBIDDEN BY FAITH

 


Authors of ’18 Interviews: Jennifer Haupt

Hello and welcome to my blog series dedicated to author interviews for 2018 debut authors! This has been started as a way to support some of my fellow ‘debutantes’ of 2018. Some of the genres may be a little outside while I usually write/talk about here, but each of these I share struck my interest in one way or another.

(See past author interviews at the end of this post!)

Here’s another literary fiction for you — and another one I can’t wait to read. This looks heartwrenching and fascinating!

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A Conversation with Jennifer Haupt, Author of In the Shadow of 10,000 Hills

Jennifer Haupt’s moving debut novel, In the Shadow of 10,000 Hills, is a multi-cultural story deftly weaves together the journeys of three women from vastly diverse backgrounds searching for personal peace in post-genocide Rwanda. At the heart of this novel that Bustle.com named as one of 19 debut novels to watch for in 2018 is the search for family, and the discovery of grace when there can be no forgiveness.

 

Q: Why did you go to Rwanda in 2007?

A: The short answer is that I was a reporter exploring the connection between grief and forgiveness. I went there to interview genocide survivors. I also went to interview humanitarian aid workers about why they were drawn to this tiny country still grieving a decade after the 1994 genocide.

I had an handful of assignments for magazines, writing about humanitarian efforts and they all fell through for one reason or another. That’s when I decided to hire a driver and go into the 10,000 hills to visit the small churches and schools with bloodstains on the walls and skulls of anonymous victims stacked on shelves. I wanted to trace the steps of the genocide and talk with the genocide survivors, mostly women, who were guides at these rarely visited memorials.

 

Q: What did you find in Rwanda that was surprising?

A: I didn’t even realize until I was in Rwanda that I needed to address my own grief for my sister who died when I was age two. It was forbidden to speak of Susie in our household; that’s how my parents dealt with their grief and I respect that. In Rwanda, it felt safe to grieve for the first time. My grief was miniscule compared with the genocide survivors. And yet, we shared a powerful mixture of emotions — compassion, sorrow, longing — that crossed the boundaries of race and culture.

What struck me was that many of the aid workers I interviewed were also grieving over the loss of loved ones. They came to Rwanda as a way of reaching out to help others, and also to heal their own souls. Most of the people I spoke with, no matter if they were Rwandan, American, European, were, in some way, grieving. I had always thought the universal commonality that connected all of us was love, but I learned in Rwanda that grief is an equally strong bond. Grief and love form the bridge that connects us all.

 

Q: How did your Jewish background effect you?

A: Fifteen years before I went to Rwanda, I visited the Dachau Concentration Camp Memorial site in Germany. The site is an impressive museum with photo exhibits and artifacts. The former prison barracks and crematorium where some of my relatives may have been imprisoned and murdered were now scrubbed clean. I went to Dachau expecting to feel sorrow, maybe anger, but instead I felt a disturbing emptiness. Nothing.

During the two weeks I spent traveling in the ten thousand hills of Rwanda, I couldn’t help but think of my visit to Dachau. Thousands of people visit Dachau each year; we Jew vow to remember the atrocities that happened there. Never again. It struck me that I was nearly always the only visitor at the dozens of tiny bloodstained memorials I visited. There was always a guide, usually a woman, a lone Tutsi survivor whose family members were murdered at the church or school.

I remember at one church, I was met by a woman named Julia, in her mid-forties, around my age at the time. She had survived by laying on the floor among the dead bodies. Now, she gave tours so that no one would forget. I talked with Julia about her family members and friends who had been murdered here. We cried together; my tears were, in part, for my relatives and members of my tribe who had been murdered during the holocaust. I experienced a powerful connection with this stranger who lived halfway around the world from me, in a culture so different than mine, through both love and grief. I wanted to share that experience with others through the characters in my novel.

 

Q: Why did you write this novel, instead of a memoir about your time in Rwanda?

A: Amahoro is a Kinyarwanda greeting that translates literally to peace, but means so much more when exchanged between Hutus and Tutsis since the genocide. It’s a shared desire for grace when there can be no forgiveness. It’s an acknowledgement of shared pain, an apology, a quest for reconciliation. I wanted to be the conduit for telling the stories of amahoro that I had heard in Rwanda, from Tutsis and Hutus. I wanted to explore more deeply the meaning of amahoro, from many different world views. I wanted to excavate my own grief more fully and, perhaps, find my own vision of amahoro. I could only do all of that, I felt, as a novelist.

 

Q: Why did you choose to tell this story through the eyes of three women of different ages and cultural backgrounds?

A: I wanted to offer Westerners a window into a very different world, and to do that I started with an American protagonist leaving everything she knows to try and find amahoro. Rachel Shepherd is searching for her father, Henry, in Rwanda. She is also searching for the piece of her heart that he took when he left her twenty years earlier. The piece that knows how to love: like a child, like a wife, like a mother.

I also wanted to connect the African-American civil rights struggle with the struggle for civil rights of the Tutsis in Rwanda. That’s where Lillian comes from. Once I decided that she and Henry Shepherd had an ill-fated interracial love affair during the late 1960s in Atlanta, their story took on a life of it’s own. Lillian is on equal footing with Rachel as a central character in this novel.

Originally, this was just Rachel and Lillian’s journey: The intertwining stories of two women searching for the man they both love. Two women trying to piece together a family. I didn’t add Nadine’s story until eight years after I started writing this novel. She’s based on a 19-year-old woman I met in Rwanda who had left after the genocide and was returning for the trial of a Hutu man, a former neighbor, who she had seen shoot her mother and sister.

Nadine is a fusion of this woman’s story as well as other stories I heard in Rwanda — and then, of course, my imagination. She’s the lynch-pin that hold together the stories of Lillian, Henry, Rachel, and Rachel’s love interest in Rwanda, an American doctor running from his past who has become like an older brother to Nadine.

 

Q: Is this a political story about the genocide?

A: No, this is a story that is set against the backdrop of pre-genocide, the genocide, and then after the genocide. I conducted a lot of research about Rwandan history but I don’t claim to be an expert on the country’s politics or tumultuous past. I do present some background about the genocide, which is factual, but this is historical fiction. The story is about the experiences of the characters during this time in history.

 

About the Author

Jennifer Haupt has been a journalist for more than 25 years. Her essays and articles have been published in O, The Oprah Magazine, The Rumpus, Psychology Today, Travel & Leisure, The Seattle Times, Spirituality & Health, and many other publications. Her well-read Psychology Today blog, One True Thing, is a collection of essays and interviews with bestselling authors. In the Shadow of Ten Thousand Hills is her first novel. She lives in Seattle with her husband, two sons and Duck Toller.

 

For more information about Jennifer Haupt and In the Shadow of 10,000 Hills please visit www.jenniferhaupt.com.

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Previous author interviews:

Pamela Kopfler – BETTER DEAD

Anna Quinn – THE NIGHT CHILD

Clarissa Harwood — IMPOSSIBLE SAINTS

Negeen Papehn — FORBIDDEN BY FAITH


Debut Authors of ’18 Interviews: YZ Chin

Hello and welcome to my blog series dedicated to author interviews for 2018 debut authors! This has been started as a way to support some of my fellow ‘debutantes’ of 2018. Some of the genres may be a little outside while I usually write/talk about here, but each of these I share struck my interest in one way or another.

(See past author interviews at the end of this post!)

Alright, so reading through the inspiration and motivation behind this book gave me shivers. It looks incredibly poignant and thoughtful, and I’m seriously looking forward to sitting down and reading it.

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GENERAL

– Author Name: YZ Chin

– Book Title: Though I Get Home

– Book Genre: Literary Fiction

– Release Date: April 10, 2018

– Publisher: Feminist Press

THE BOOK

Though I Get Home is a collection of interconnected stories that spiral inward to paint a picture of current-day Malaysia. The book is tied together by Isabella Sin, a young woman thrown in jail without trial for writing “controversial” political poems. Other characters include Isa’s grandfather, an immigrant to Malaya who becomes a butler of sorts under colonial masters.

Share a teaser:

            Hunger pinned her to the bunk. Starvation impaled her through the stomach, keeping her down on the thin mattress, resisting the momentum of her feebly raised head. Her neck strained to bring her vision to the requisite level such that she could observe the movement of sun against her prison walls. The sun was her way of telling time and estimating the next delivery of food.
– Where did you get the idea?

  • My great fear as a writer is self-imposed censorship. When I first started writing fiction seriously, it was pointed out to me that I was really holding back from writing about “taboo” topics like sex. I spent a lot of time exploring the roots of this self-repression, and I realized that I had been conditioned by a lifelong atmosphere of state censorship. That realization formed the seeds for Though I Get Home.

– What’s the story behind the title? 

  • The title is from an Emily Dickinson poem (#199 Franklin; #207 Johnson). The poem is complex and full of turns, succeeding in being both emotionally heightened and ambiguous at the same time – which mirrors how I feel about the idea of “home.”

– No spoiler, but tell us something we won’t find out just by reading the book jacket.

  • There is a surprising development in the main character Isa’s story arc (Kirkus called it an “unexpected twist” in a starred review). There are also explorations of Isa’s relationships with her grandfather, her mother, her father and her best friend.

– Tell us about your favourite character.

  • Isabella Sin, the young woman who is thrown in jail without trial for writing “controversial” poems. Her grandfather immigrated to Malaya and served under colonial masters, and her relationship with her parents are strained because of their separation and her preference for dating women. She is dealt a poor hand by fate, but she does her best to add a personal touch to the roles she is given to play.

– Are your character based on real people, or do they come from your imaginations?

  • Government censorship of the arts is a very real threat. In recent years, dancer Bilqis Hijjas was arrested and charged for releasing yellow balloons bearing the words “Free media,” “Democracy,” and “Justice” during an arts festival opening. Cartoonist Zunar has previously been arrested, and is still under travel ban for his political drawings.

 

WRITING PROCESS

– How long did you take to write this book? (You can share about the timeline from drafting to publication)

  • The book took about five years and at least four drafts. I worked full-time as a software engineer (partly to maintain legal status to remain in America), so I could write only on the weekends and in the seams of workdays. Drafts took so long to write that by the time I reached the end of the book, I was already a subtly different writer than the one who wrote the beginning of the draft, and I would have to throw out the beginning to start all over.

 

– What kind of research did you do for this book?

  • Two books by unjustly imprisoned men especially informed my work: Universiti Kedua (“The Second University”) by Kassim Ahmad and Sengsara Kem Kamunting: Kisah Hidup dalam Penjara ISA (“The Tortures of Camp Kamunting: Life Behind Bars in the ISA Prison”) by Saari Sungib. And of course, the daily news coming out of not just Malaysia, but also the U.S. and beyond.

– Are you a plotter or a pantser?

  • I sometimes pretend to be a plotter, but the stories and characters inevitably bring me down endless unexpected paths. I follow them willingly.

– What is your favorite part of your writing process, and why?

  • Oddly enough, my favourite part of writing does not always take place when my fingers are on a keyboard or holding a pen. It can be in the shower, or while I am taking a long walk to clear my head – the magical moments when a beautiful sentence assembles on my tongue, or when an unassailable truth about a character makes itself known in my head, and my heart knows it to be real.

– What is the most challenging part of your writing process, and why?

  • Honestly, the most challenging part is finding enough uninterrupted time to write while working full-time in an office.

– Can you share your writing routine?

  • I write in dribbles before work and on the weekends. If I am feeling particularly inspired, I squeeze in bits of writing time during lunch breaks and after work, even though I am usually drained by then.

– Have you ever gotten writer’s block? If yes, how do you overcome it?

  • Explore another (short) project. Expand a dream into a scene. Flesh out a “what if” idea into a plot or a flash fiction piece. Flip through a notebook I keep of scattered thoughts, half-formed musings, and sentence fragments.

 

THE WRITER

– Tell us about yourself. 

  • I work as a software engineer coding in C, which is a programming language invented in the early seventies. My husband and I have the world’s most beautiful and softest cat named Meursault (after Camus’ The Stranger). I was born and raised in small-town Malaysia, and I left at 19 for an engineering education in the U.S.

– How did you get into writing?

  • I was a fat kid with a skin condition who was bullied at school (and Buddhist camp). For a while I had no friends. Books were my connection to the world. I want to extend that connection. Books also saved my life, and my hope is that someday my words can do the same for another lonely person.

– What do you like to do when you’re not writing?

  • Reading, of course. Exercise-wise I used to do a lot of weightlifting, and then I started doing more rock climbing. But I dislocated my elbow last year when I fell 15 feet during rock climbing, so I suppose I shouldn’t say it’s something I like to do anymore?

– Apart from novel writing, do you do any other kind(s) of writing?

  • I am also a poet. I have two poetry chapbooks published or forthcoming: In Passing (Anomalous Press, 2019) and deter (dancing girl press, 2013). And my very first longform personal essay will be appearing soon in a magazine!

– Share something about you most people probably don’t know.

  • I used to do weightlifting as a form of exercise. I once deadlifted 245 pounds, which was 2.5 times my body weight. Ah, the glory days.

– Which book influenced you the most?

  • Toni Morrison’s Beloved changed what I thought was possible in writing. It is a masterpiece that depicts extreme brutality with intelligence and utmost tenderness.

 

WHAT’S NEXT

– What are you working on right now?

  • I’m working (for some reason) on two very different novels. One is about intimacy and the tough choices so-called “skilled worker” immigrants have to make, especially when facing health issues. The other I’m not quite ready to talk about yet.

TELL US…

– The book you’re currently reading

  • Jeremy Tiang’s State of Emergency. It’s a tightly woven story about the leftist movement in the immediate aftermath of colonialism in Malaysia and Singapore, told from multiple angles.

    PITCH

Though I Get Home is an intimate exploration of what it means to be an individual and a citizen within a state that wishes to control the narrative, which is a description that fits more countries than we would like to admit in today’s world.

FAVORITE BLURBS

“YZ Chin’s tender and furious debut, Though I Get Home, is a long gaze into a black sky; her characters are defiant enough to find light.” —Catherine Lacey, author of The Answers

“Sharp as an old wound that never heals, these linked stories remind us afresh of what it takes to survive in a brutal, racially fraught society.” —Shirley Geok-lin Lim, author of Among the White Moon Faces

BUY LINKS

 

BIO

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YZ Chin’s debut book of fiction Though I Get Home (Feminist Press, 2018) is the premier winner of the Louise Meriwether First Book Prize. She is also the author of poetry chapbooks In Passing (Anomalous Press, 2019) and deter (dancing girl press, 2013).

Born and raised in Taiping, Malaysia, she now lives in New York. She works by day as a software engineer, and writes by night.

SOCIAL MEDIA

Website: https://www.yzchin.com
Facebook: https://www.facebook.com/yzxyz/
Twitter: https://twitter.com/yz_chin
Goodreads: https://www.goodreads.com/book/show/36393578-though-i-get-home

Previous author interviews:

Pamela Kopfler – BETTER DEAD

Anna Quinn – THE NIGHT CHILD

Clarissa Harwood — IMPOSSIBLE SAINTS

Negeen Papehn — FORBIDDEN BY FAITH


Debut Authors of ’18 Interviews: Cass Morris

Hello and welcome to my blog series dedicated to author interviews for 2018 debut authors! This has been started as a way to support some of my fellow ‘debutantes’ of 2018. Some of the genres may be a little outside while I usually write/talk about here, but each of these I share struck my interest in one way or another.

(See past author interviews at the end of this post!)

WOW, am I freaking excited for this book. My interest was piqued just by the concept, but as I’ve read more of the content and the inspiration behind it, I cannot freaking wait!

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GENERAL

– Author Name: Cass Morris

– Book Title: FROM UNSEEN FIRE: Book One of the Aven Cycle

– Book Genre: historical fantasy

– Release Date: April 17th, 2018

– Publisher: DAW Books

THE BOOK

From Unseen Fire takes place in Aven, an alternate version of ancient Rome where elemental magic has shaped society as much as law and war. In the wake of a brutal dictatorship, two factions compete to rebuild the Republic in the shape they desire. One side is protectionist and isolationist, seeking to preserve conventional morals and keep their nation small enough to easily control; the other side is expansionist and more permissive, looking to embrace the opportunities that allies and immigrants can provide. By law, the use of magic to influence politics is forbidden, but both sides skirt the rules where they can — and some are willing to step dangerously far over the line.
– Share a teaser.

Shadow and Water both moved in him, a blend that lent itself to a strange intuition, an ability to hear words unsaid and see things not-yet-done. Drawing energy from the dark corners of the garden, from the dimming sky above, from the water that flowed into the peristyle, Sempronius concentrated on what it was he needed to know, willing the answers to come to him, etched on the surface of the obsidian mirror. His heartbeat slowed; his muscles relaxed as he eased into that place where body and mind flowed synchronously with his Elements. Thus settled, Sempronius passed a hand over the dark glass and waited, all patience, for something to surface.
– Where did you get the idea?

I knew I wanted to write a historical fantasy with a different setting than the somewhat typical pseudo-medieval-western-Europe. I’ve had one foot in the classical world since starting Latin at the age of twelve, and so working with Rome seemed a natural fit. The Roman pantheon blended nicely with some ideas about elemental magic I’d been developing for ages, and from that, the world of Aven was born.
– What’s the story behind the title? 

I am the worst at titles. If I can’t steal it from Shakespeare or a song lyric, I’m totally useless. This was just called “Aven” for the longest time. Eventually my first editor had me try to come up with something more compelling. I liked the idea of something like Scintilla, which means “spark” in Latin, with subsequent books using words for increasingly large fires, but my publisher was worried the Latin might scare people off. So I started plundering Roman poetry for elegant phrases. From Unseen Fire was among those, but my then-editor didn’t go for it, and for a while the book was titled A Flame Arises instead. When I got switched to a different editor, however, she much preferred From Unseen Fire, so we went back to that.
– No spoiler, but tell us something we won’t find out just by reading the book jacket.

There are nine magical Elements, and the power to use them is seen as a blessing from the gods. About one in every thousand Aventans manifests some magical talent, but far fewer have strong powers.
– Tell us about your favourite character.

Vitellia Latona is the character closest to my heart. She’s a powerful mage of Spirit and Fire, but she’s never made the most of it, partly for lack of training and partly due to discouragement from various sources out of spite, jealousy, or just plain misogyny. In From Unseen Fire, she’s in the process of breaking free of all those restrictions and repressions, learning to own herself and take up the space in the world that she deserves.
– If you could spend a day with one of your characters, who would it be and what would you do?

I would love to let Aula Vitellia, Latona’s cheerful and irreverent older sister, take me shopping and then to a lovely dinner party.
– Are your character based on real people, or do they come from your imaginations?

They’re mostly from my imagination, though they have some historical inspiration. Julius Caesar, Tiberius Gracchus, Germanicus and his wife Agrippina, Mark Antony, Fulvia, and many other Romans have not direct analogs, but correlations in my characters.

WRITING PROCESS

– How long did you take to write this book?

From Unseen Fire began life as a 2011 NaNoWriMo project. I was trying to kick myself back into fiction writing after having done little of it during graduate school and my first years working for a non-profit organization. By early 2013, I was ready to query agents, and I signed with Connor Goldsmith in October of that year. We spent about a year polishing the manuscript through several revisions and went out on sub in late 2014, then signed with DAW Books in October 2015. The book was initially supposed to debut in September 2017, but delays related to my editor switch-up pushed it into 2018. I am the poster child for the publishing world’s occasionally glacial pace.

 

– What kind of research did you do for this book?

A lot of my research was reviving things I had studied in high school and college and then delving deeper. I had to get a lot more into the social history of ancient Rome than just the political overview and the “great men” narrative. Alberto Angela’s Day in the Life of Ancient Rome was supremely helpful, as were the works of Philip Matyczak. I’ve a full list of recommended resources on my website (cassmorriswrites.com/aven-cycle/the-world-of-aven/resources-and-history/). The most fun research, though, was taking a trip to Rome and spending a few days wandering around the Seven Hills!
– What did you remove from this book during the editing process?

This book has been reworked and restructured so much that I suspect I’ve forgotten most of the changes. The one that stands out is an enormous set piece that, during my revisions with Connor, I removed in a single 20,000 word slaughter. It’s a sequence I love, set during games at a festival, but it just no longer had a place in this book. I’m intending to rework it for Book 2, though!
– Are you a plotter or a pantser?

By nature, a pantser. When I start a story, I tend to have a strong idea of who the characters are, and finding the plot is a matter of letting them collide into each other until something happens. As I work on Books 2 and 3 of the Aven Cycle, however, I’m having to work more to an outline, since it’s what my publisher has approved. It’s an interesting challenge — I have to remind myself that I’m not irrevocably wedded to that skeleton.
– What is your favorite part of your writing process, and why?

The moment where pieces suddenly fall into place. It might be finding the plot element to connect two scenes, or figuring out the reasoning behind a character’s actions, or seeing a connection between two characters that I hadn’t seen before. When one of those hits, I’m prone to flailing my arms about like Kermit the Frog before returning my fingers to the keyboard.
– What is the most challenging part of your writing process, and why?

Pacing. As a child who happily read the encyclopedia for fun, I don’t always have the best natural sense of how a story should move along. My inclination is to let characters wander into each other and have long conversations. My agent and editor did a lot to make sure that exciting incidents happen at regular intervals!
– Can you share your writing routine? 

I typically work at my standing desk in my apartment. I’m not well-heeled enough to afford a place where I can devote space just for writing, so it’s in my living room (which, in my current apartment, is also my kitchen). I tend to do my best work from about 7pm-Midnight, and I often enjoy a glass of wine to help lubricate the creative process.
– Have you ever gotten writer’s block? If yes, how do you overcome it?

No. The ideas are always there. If I’m not being productive as a writer, it’s because I’m having trouble making the time or summoning the energy.
– If you could tell your younger writing self anything, what would it be?

Perseverance matters a lot more than almost anything else. Learn how to take a punch and stay on your feet.
– How many unpublished and half-finished books do you have?

Dozens.
– Do you have any writing quirks?

I have to hunt down the words “somewhat” and “rather” and slaughter them. My copy editor also pointed out that I’m over-fond of ellipses and that I often use two prepositions where one would suffice.

 

THE WRITER

– Tell us about yourself.

I’ve lived in Virginia my whole life, and most of my work has been as an educator. I spent seven years at the American Shakespeare Center, where I wrote 22 guides to help teachers make plays exciting for their students. My parents and sister live in our hometown, so I revisit my old stomping grounds fairly regularly. I live in the mountains with two cats, a nineteen-year-old calico and a seven-year-old Abyssinian.
– How did you get into writing?

I literally can’t remember a time when I wasn’t a storyteller. I got interested in writing as a career after seeing Star Wars at the age of 11, and I’ve talked about that on my personal blog (https://cassmorriswrites.com/2013/12/22/how-star-wars-changed-my-life/).
– What do you like to do when you’re not writing?

Read, visit wineries, attend conventions, play MarioKart and Civilization.

 

– Apart from novel writing, do you do any other kind(s) of writing?

I’ve done quite a bit of academic writing, including those Shakespeare teaching guides and a number of papers and presentations for conferences. I’ve also been a blogger and fanfic writer basically as long as I’ve been on the internet.

 

– Share something about you most people probably don’t know.

I am an utterly indifferent cook. I can make basic things like pasta, tacos, pancakes, but I just don’t have the interest in learning to make anything more complex. I can bake, though, and I make exceptionally good cookies.

 

– Which book influenced you the most?

Oh, gods. In my whole life? Neil Gaiman’s Sandman series, probably. Or the Witches books from Discworld. Or The Last Unicorn. Or Harry Potter. Or Dinotopia.

 

WHAT’S NEXT

– What are you working on right now?

Book Two of the Aven Cycle, as well as drafting a space opera with a rakish heroine loosely based on Julie d’Aubigny.
– What’s your favourite writing advice?

“Planning to write is not writing. Outlining, researching, talking to people about what you’re doing, none of that is writing. Writing is writing.” – E L Doctorow

TELL US…

– The book you’re currently reading

At the time of writing this, I’m in the middle of Glass Town Game by Catherynne Valente, Alias Grace by Margaret Atwood, and 1177 BC: The Year Civilization Collapsed by Eric Cline.

PITCH

Super-short version: I gave the ancient Romans magic to see what they’d do with it.

Slightly longer version:

In the nation of Aven, Elemental magic has shaped the way of life as much as politics and war. Latona of the Vitelliae, a mage of Spirit and Fire, has suppressed her phenomenal talents for fear they would draw unwanted attention from unscrupulous men. When the Dictator who threatened her family dies, she may have an opportunity to seize a greater destiny as a protector of the people — if only she can find the courage to try.

Latona’s path intersects with that of Sempronius Tarren, an ambitious senator harboring a dangerous secret. Sacred law dictates that no mage may hold high office, but Sempronius, a Shadow mage who has kept his abilities a life-long secret, intends to do just that. As rebellion brews in the provinces, Sempronius must outwit the ruthless leader of the opposing Senate faction to claim the political and military power he needs to secure a glorious future for Aven and his own place in history.

As politics draw them together and romance blossoms between them, Latona and Sempronius use wit, charm, and magic to shape Aven’s fate — but will that be enough, when their foes resort to brutal violence and foul sorcery?

BUY LINKS

Amazon — https://www.amazon.com/Unseen-Fire-Aven-Cycle/dp/0756412242

B&N — https://www.barnesandnoble.com/w/from-unseen-fire-cass-morris/1125456861

IndieBound — http://www.indiebound.org/book/9780756412241

Kobo — https://www.kobo.com/us/en/ebook/from-unseen-fire

GooglePlay — https://play.google.com/store/books/details/Cass_Morris_From_Unseen_Fire?id=hyq2DQAAQBAJ

 

BIO

AuthorPic275px

Cass Morris lives and works in the Blue Ridge Mountains of Virginia with the companionship of two royal felines, Princess and Ptolemy. She completed her Master of Letters at Mary Baldwin University in 2010, and she earned her undergraduate degree, a BA in English with a minor in history, from the College of William and Mary in 2007. She reads voraciously, wears corsets voluntarily, and will beat you at MarioKart.

SOCIAL MEDIA

Website: cassmorriswrites.com
Patreon: patreon.com/CassRMorris
Twitter: @CassRMorris twitter.com/CassRMorris
Facebook: facebook.com/cassmorriswrites
Instagram: instagram.com/cassrmorris/
Goodreads: goodreads.com/CassRMorris
LinkedIn: https://www.linkedin.com/in/cass-morris-4509907a/

Previous author interviews:

Pamela Kopfler – BETTER DEAD

Anna Quinn – THE NIGHT CHILD

Clarissa Harwood — IMPOSSIBLE SAINTS

Negeen Papehn — FORBIDDEN BY FAITH

Clarissa Goenawan — RAINBIRDS


Authors of ’18 Interviews: Clarissa Goenawan

Hello and welcome to my blog series dedicated to author interviews for 2018 debut authors! This has been started as a way to support some of my fellow ‘debutantes’ of 2018. Some of the genres may be a little outside while I usually write/talk about here, but each of these I share struck my interest in one way or another.

(See past author interviews at the end of this post!)

Full disclosure: I just started Rainbirds the other day and I’m a little enraptured. It’s not something you can really speed through, yet the voice, the descriptions, the intrigue… it’s really hard to put down! It’s difficult to really put a finger on what exactly draws you in, but draw you in it does…

Rainbirds

GENERAL

– Author Name: Clarissa Goenawan

– Book Title: RAINBIRDS

– Book Genre: Literary Mystery

– Release Date: 6 March 2018

– Publisher: Soho Press

THE BOOK

– Please describe what the book is about.
RAINBIRDS is a story of a young man who is trying to come to terms with his older sister’s death by finding out the truth behind her murder, but in doing so, he ends up confronting his own dark secret.

– Share a teaser from your book.
When the car had stopped at the traffic junction, a soft light had fallen onto her pale skin, highlighting her delicate features. My hand was on hers, but she didn’t say a word, nor did she look at me. She didn’t even flinch. Her body was there, but her mind wasn’t.
That night, the two of us were lonely, isolated under Tokyo’s dazzling lights.

– Where did you get the idea?
One afternoon, I was just wondering, “What if someone I cared about suddenly passed away, and then, I realized too late that I never actually got to know them?” At first, I wanted to write a short story about a young man who had just lost his older brother, which later on, morphed to an older sister. And then, I realized there were so many things I wanted to explore in their relationship, and that this story has to be a novel.

– What’s the story behind the title? 
I came up with it! There was actually a really funny story behind it, which you can read at the end of my guest post for Bath Novel Award, “Five Ways to Find The Perfect Title for Your Novel.”
Link: https://bathnovelaward.co.uk/2017/07/26/five-ways-to-find-the-perfect-title-for-your-novel/

– No spoiler, but tell us something we won’t find out just by reading the book jacket.
RAINBIRDS is part of a series of interrelated novels. So do keep a lookout at the side characters, because they might be the main characters for the next book.

– Tell us about your favourite character.
Rio Nakajima, also known as ‘Seven Stars.’ She’s a seventeen-year-old girl who is bright and bold, unafraid to voice her opinion and relentlessly goes after what she wants. She doesn’t care about conforming to public’s expectation, and I really admire her for that.

– If you could spend a day with one of your characters, who would it be and what would you do? 
There is this young girl who celebrated my main character’s seventeenth birthday in the most bizarre way. I’m not going to give any spoilers, but let’s just say I wish to be part of the party (though that can possibly make me the third wheel… hmmm…)

– Are your characters based on real people, or do they come from your imagination?
Most of them came from my imagination, but a few were very loosely based on people I knew in real life. For example, Honda, Ren’s colleague, was inspired by my ex-colleague and lunch buddy who used to drive—yes, you guessed it—a black Honda sedan. All the characters’ personal stories are, of course, fictional.

WRITING PROCESS

– How long did you take to write this book?
Almost five years, which at a point of time, does feel ‘forever’ to me. But, in term of traditional publishing, it’s still relatively fast.

The breakdown:
First draft – 1,5 months
Editing – 1,5 years
Submission to agents – about half a year
Submission to publishers – about half a year
From signing of contract to publication date – about two years
– What kind of research did you do for this book?
I grew up reading copious amounts of manga (Japanese comic books), and I learnt Japanese language since high school, so that gave me a good starting point. I also consulted a huge number of books, essays, and articles, and asked some friends who’re familiar with Japan to be my beta readers.

– What did you remove from this book during the editing process?
A lot of things that don’t really matter, including a scene of Honda teaching Ren the best way to enjoy xiaolongbao, a type of Chinese steamed bun.
Are you a plotter or a pantser?
I tried to plot, but that didn’t work. I normally have a sense of beginning, somewhat of an ending (though, most of the time, it changes), but nothing inbetween.
– What is your favorite part of your writing process, and why?
The first draft! I’m always pleasantly surprised by the unexpected places my characters lead me to.

– What is the most challenging part of your writing process, and why?
The last few edits are the hardest for me. By then, I have grown too familiar with my work. It’s hard to discern the trees from the forest.

– Can you share your writing routine? (e.g. How do you carve out your writing time? Where do you normally write?)
I do my writing after I drop my kids at school, and until it’s time to pick them up. That gives me about a five hour solid time block. Most of my writing is done on random benches around my kids’ school.
– Have you ever gotten writer’s block? If yes, how do you overcome it?
Some people are going to hate me for saying this, but I don’t believe in writer’s block.

– If you could tell your younger writing self anything, what would it be?
Be patient. Be very, very patent, because publishing moves in a different time from the rest of the world. It’s so sloooowwwww. There is a lot of waiting, and I’m not good with waiting—but I’m learning!

– How many unpublished and half-finished books do you have?
RAINBIRDS, my debut novel, is the first novel I ever wrote. I know this is not a common scenario in traditional publishing, and I’ve been so lucky.

– Do you have any writing quirks?
I like to write on a big table.

THE WRITER

– Tell us about yourself.
I was born and raised in Surabaya, a city in East Java and also the second most populated city in Indonesia. In my mid-teens, I migrated to Singapore, which I now call home. I live with my husband, three beautiful daughters, and a broken-coated Jack Russell named ‘Hunter.’

– How did you get into writing?
It was my childhood dream. I’d loved reading ever since I was a kid and dreamt that one day, I would publish my own book. But I only started to seriously pursuing the profession after I quit my banking job at age twenty-four (probably not the most conventional thing to do, but I never regretted it.)

– What do you like to do when you’re not writing?
My guilty pleasure: I read a lot of manga (Japanese comic books.) I also spend a lot of time reading online articles and on Twitter—probably too much for my own good.

– Apart from novel writing, do you do any other kind(s) of writing?
Yes, I write short stories, though not as often as I used to do when I’d just started out writing. I realized I prefer to work on novels, though short stories are great for variety.

– Share something about you most people probably don’t know.
I used to be a bookseller. I was in charge of marketing children’s books for a regional book distribution company, which include everything from baby boardbooks to YA novels. I spontaneously talked about countless books—most of them I’d only read the short synopsis because there were so many— to the media every month, but when it comes to pitching my own book, I’m always struggling. Always.

– Which book influenced you the most?
Stephen King’s On Writing, which I highly recommend to all aspiring writers. It’s full of gold—awesome writing advice, great editing tips, and a realistic portrayal of a writer’s life. Worth re-reading every year.

WHAT’S NEXT

– What are you working on right now?
I’m currently editing my second and third novels, both of them literary mysteries. And just like RAINBIRDS, they’re set in Japan.

– What’s your favourite writing advice?
If you want to be a writer, you must do two things above all others: read a lot and write a lot. – Stephen King.

PITCH

Intertwining elements of suspense and magical realism, award-winning literary debut RAINBIRDS opens with a murder and shines a spotlight on life in fictional small-town Japan.

BLURB

“Luminous, sinister, and page-turning all at once. I loved it.”
—Kate Hamer, internationally bestselling author of The Girl in the Red Coat and The Doll Funeral

“A beautiful mystery setup with a complex, magical love story.”
—Eka Kurniawan, award-winning author of Beauty Is a Wound and Vengeance Is Mine, All Others Pay Cash

BUY LINKS

Amazon: https://www.amazon.com/dp/1616958553

Barnes & Nobles: https://www.barnesandnoble.com/w/rainbirds-clarissa-goenawan/1126551443?ean=9781616958558

BookDepository: https://www.bookdepository.com/Rainbirds-Clariss-Goenawan/9781616958558

Indiebound: https://www.indiebound.org/book/9781616958558

BIO

ClarissaGoenawan
Clarissa Goenawan is an Indonesian-born Singaporean writer. Her debut novel, RAINBIRDS, is the winner of the 2015 Bath Novel Award. Her short stories have won several awards and been published in various literary magazines and anthologies. She loves rainy days, pretty books, and hot green tea.

SOCIAL MEDIA

Website: http://www.clarissagoenawan.com
Facebook: https://www.facebook.com/clarissagoenawan/
Twitter: https://twitter.com/ClaireClaire05
Instagram: https://www.instagram.com/clarissagoenawan/
Pinterest: N.A.
Goodreads: https://www.goodreads.com/author/show/16100168.Clarissa_Goenawan

Previous author interviews:

Pamela Kopfler – BETTER DEAD

Anna Quinn – THE NIGHT CHILD

Clarissa Harwood — IMPOSSIBLE SAINTS

Negeen Papehn — FORBIDDEN BY FAITH


Authors of ’18 Interviews: Negeen Papehn

Hello, hello! Welcome to my blog series dedicated to author interviews for 2018 debut authors. This series has been started as a way to support some of my fellow ‘debutantes’ of 2018. Some of the genres may be a little outside while I usually write/talk about here, but each of these I share struck my interest in one way or another.

(See past author interviews at the end of this post!)

I finished this a few weeks ago, and let me tell you, this is a good book. Papehn’s writing style was the first thing that struck me: she’s telling a story, not leading you through it. In a world where “show don’t tell” is hammered into any writer’s skull, I was surprised and intrigued by this shift.

At first I thought I wasn’t going to like it… and then I found myself unable to put it down. There is something entrancing and seductive about the way Forbidden by Faith is weaved. I found myself identifying with the main character Sara on WAY too many levels, and I was thinking about her for days afterwards.

Needless to say, I really recommend this. It’s fresh, it’s interesting, I don’t think you’re going to find anything really like it. And here’s what she has to say about it!

 

Fobbiden DIGITAL blue-pink

GENERAL

– Author Name: Negeen Papehn

– Book Title: Forbidden by Faith (Forbidden Love Series, Book 1)

– Book Genre: New Adult Contemporary Romance

– Release Date: February 20, 2018

– Publisher: City Owl Press

THE BOOK

Sara knows her life would be easier if she married a Muslim man, but when has love ever been easy?

Raised by her immigrant Iranian Muslim parents, she’s been taught that a good daughter makes decisions based on her family’s approval, and she’s spent most of her life doing just that. Then one night, she meets Maziar, and her world is turned upside down. She feels an instant electricity between them, and it seems like fate when he tells her he’s also Iranian. Just as her mind begins to soar with the possibilities, he shatters her hopes when he tells her he’s Jewish.

Despite the centuries of unrest behind them, Sara and Maziar embark on a forbidden love affair, attempting to navigate through the cultural and religious prejudices that beat them down and attempt to tear them apart.

Deep within the trenches of her battle, Sara finds herself more empowered and careless than ever before. Angry at and disappointed by the people she’s idolized all her life, she’s determined to forge her own path. But choosing who to be could mean creating a life that’s no longer acceptable to those around her.

Sara feels herself growing into an independent and confident woman, but will it be worth the ultimate cost: her family?

 

Share a teaser from your book.

“I want you back.”

I hadn’t let myself hope he would say that to me tonight. I thought if he didn’t, the disappointment would be unbearable. I realized that hearing him say he wanted us, and knowing that it was impossible, was more than disappointing. It was utterly devastating.

 

Where did you get the idea?

The premise of FORBIDDEN BY FAITH with the clashing religions comes from my own relationship. My husband is Jewish and I’m Muslim. People think this story is the story of us, but it’s not. We’re lucky to have the families that we do. We didn’t have to go to war over a love that was ours, but a fight that spanned centuries behind us. It could have been our story though. So instead, I wrote the story for Maziar and Sara. This is their love story, not mine.

What’s the story behind the title?

I came up with the title, but that was after my editor thought we should change it. It was originally called UNBOUND but that didn’t seem as intriguing. After a lot of brainstorming with my CPs, my editor and I decided on FORBIDDEN BY FAITH.

No spoiler, but tell us something we won’t find out just by reading the book jacket.

There’s a steamy love triangle that unfolds. Everyone chooses a team by the time they’re done J

Well us about your favorite character.

My favorite character is Bita. She’s my male MC’s sister. I think her evolution throughout the book is pretty spectacular. She starts off being the person you love to hate, but as the story progresses and she’s faced with losing her brother, she begins to question her decisions, and ultimately chooses to change. By the end, you’re rooting for her.

If you could spend a day with one of your characters, who would it be and what would you do?

Hmmm… I think I’d spend the day with Ben. He’s a bit dreamy and I have a tiny crush on him, LOL. Maybe we’d go to a baseball game. He’s a big fan. Or maybe we’d do karaoke. That’s a pretty fun scene in my book.

Are your characters based on real people, or do they come from your imaginations?

A little bit of both. No character is based on one single person, but more of a combination of characteristics of people in my life, past and present. And some of it just comes from my imagination.

 

WRITING PROCESS

How long did you take to write this book?

It took me a year to write it and then another year to have it picked up. By the time my book is published, it’ll be close to three years.

 

What kind of research did you do for this book?

I had to do research on the religions. I’m not very religious so I wanted to make sure I had the details correct. I also researched various aspects of the Iranian culture. Other than that, there wasn’t too much else. My book is based in Los Angeles, so I’m familiar with the location.

What did you remove from this book during the editing process?

I did a complete rewrite before I sent it in to agents/editors. I restructured the timeframe of the love triangle and changed the details. There was about ten chapters that were cut and redone. Once my editor did a sweep, we took out a few chapters that didn’t seem necessary.

Are you a plotter or a pantser?

I’m a total pantser! Sometimes, I think it’s my downfall. I would love to be a plotter, and I try, but my story always has a mind of its own. I end up backed in corners that I have to find ways out of, which slows down the writing process. In the end, though, I come up with a storyline I hadn’t anticipated, which is exciting.

What is your favorite part of your writing process, and why?

My favorite part of the writing process is when my manuscript is ready for the first round of beta readers. I love sharing my work with people. Hearing their reactions and listening to their responses is my drug of choice. And it doesn’t have to just be praise. I welcome their constructive criticism as well. Makes the story better, and makes me a better writer.

What is the most challenging part of your writing process, and why?

The most challenging part for me is the beginning. The actual process of brainstorming and coming up with a premise for the next story, one that’s interesting, different, and deeper than just the surface. I’m so passionate about writing; it’s a dream for me. But I’m always afraid I won’t be able to come up with the next idea, and it will all come to a tragic end. I almost paralyze myself with fear. It causes me to get major writer’s block.

 

Can you share your writing routine?

I don’t actually have a routine other than writing in between everything. On my days off I try to carve out a few hours to write, if errands and my children allow it. The days I work, I write in between patients and during my lunch breaks. Weekends are usually up in the air. Any free time I can find, even if it’s twenty minutes, I write. I just pick up where I left off and keep going any chance I get!

The location I write in isn’t always the same. Sometimes I’m at my desk in the spare room, sometimes at the dining room table, and sometimes I escape to the local coffee shop. Just depends on what works for the moment. But, regardless of where I’m sitting, my headphones are on and always blaring in my ears.

 

Have you ever gotten writer’s block? If yes, how do you overcome it?

Yes! It’s miserable. I just walk away. I leave the writing behind for a week, give my mind a break by binge watching shows.

If you could tell your younger writing-self anything, what would it be?

“Hang in there. Even when you feel like you’ve lost sight of who you used to be, don’t worry, you’ll find her again. And when you do, amazing things will happen.”

How many unpublished and half-finished books do you have?

I have one full unpublished manuscript that I need to start submitting soon, titled What Will Be, and I’m halfway through the second book in the Forbidden Love series.

Do you have any writing quirks?

Yes. I’m picky about location. I don’t need to write in the same spot each time, but the space needs to have the right energy. I have to feel the creativity flowing, otherwise I’m too distracted. And I must have a good playlist going. It needs to compliment the scene I’m in, otherwise it throws me off. So sad scenes get a ballad, hot scenes need a steamy 90s R&B song, and so on.

 

THE WRITER

Tell us about yourself.

I’m a mom and a wife. I have two boys, they’re 8 and 10. They’re spectacular little human beings and keep me super busy.  They are in the “arguing phase” of their relationship right now, so it’s lovely. I’m a dentist by day. I know, not a glamorous job, nor is it even close to writing, but I dig it. I get to interact with a lot of people, and I’m definitely a social butterfly so it works for me. Oh! And I love wine, LOL.

How did you get into writing?

Growing up, I sang and wrote music and poetry. But then adult life took over and I lost that creativity. A few years ago, I started getting desperate for an outlet; it felt like I was suffocating without it. A friend suggested I write a book after I told her an elaborate recollection of a situation that had transpired.

Two weeks later, I thought, what the hell, and sat in front of my laptop. The rest is history.

What do you like to do when you’re not writing?

I love spending time with my family, reading, hanging out with friends, wine tasting, going on vacations. I’m pretty easy and low key. I’m a social butterfly for sure, but prefer it in casual, intimate settings.

 

Apart from novel writing, do you do any other kind(s) of writing?

I used to write poetry and music but I haven’t done that in ages.

Share something about you most people probably don’t know.

I can sing. I won a national contest for a song I wrote and recorded with my band in high school. And I was prom queen.

 

Which book influenced you the most?

Me Before You, by Jojo Moyes. I was depressed for a week after I finished that book! I loved the reality of it. Just because her MCs fell in love, the path of Will’s decisions didn’t change. That’s how real life goes. When I started writing, I wanted to implement the raw, messy truths of life into my own work as well. And I wanted my readers to believe it, completely involved and invested in my characters, long after they turned the last page.

 

WHAT’S NEXT

What are you working on right now?

I’m currently working on the second novel of the Forbidden Love series. I’m very type A, so sadly, I can’t work on more than one project at a time.

What’s your favorite writing advice?

“No matter what happens, you’ve already won. This has become so much more than you ever imagined. Remember that. Hold onto that. You can’t fail.” My boss is one of my biggest supporters and he said that to me when I was in full panic mode over the publishing process.

TELL US…

The book you’re currently reading:

I’m currently reading The Finish Line by Leslie Scott. It’s her debut novel and it’s fabulous.

Of the books you’ve read, which one changed you the most?

KITE RUNNER by: Khaled Hosseini

I can’t really explain how this book changed me, but I just know that it did. It opened my eyes to the horror that so many in this world face, and reminded me of how privileged I am to have been born and raised in the States. Things could have been so different if my parents hadn’t come to America so many years ago. This books tragic beauty and heartbreaking devastation has stayed with me from the moment I read it.

PITCH

Sara knows marrying a Muslim man would be easier, but when has love ever been easy?

When Sara and Maziar embark on a forbidden love affair, they must navigate through the cultural and religious differences that divide them, pushing themselves to limits they never imagined, in the hopes of finding true love.

Give one or two of your favorite blurbs.

 

“Much more than a love story… FORBIDDEN BY FAITH is full of twists and turns as two lovers navigate their way through one of history’s oldest cultural divides.”

“A little 50 Shades… A little Romeo & Juliet… FORBIDDEN BY FAITH is sure to keep you turning the page. Although after some of the pages, you may need to take a cigarette break (even if you don’t smoke!).”

BUY LINKS

Amazon: http://smarturl.it/FLove1Amz

BN: http://smarturl.it/FLove1BN

Kobo: http://smarturl.it/FLove1Kobo

Apple: http://smarturl.it/FLove1iBooks

Google: http://smarturl.it/FLove1Google

 

BIO

Processed with VSCO with c1 preset
Negeen Papehn was born and raised in southern California, where she currently lives with her husband and two boys. She wasn’t always a writer. A graduate of USC dental school, Negeen spends half of her week with patients and the other half in front of her laptop. In the little time she finds in between, she loves to play with her kids, go wine tasting with her friends, throw parties, and relax with her family.

FORBIDDEN BY FAITH is her debut novel.

SOCIAL MEDIA

Website: www.negeenpapehn.com

Twitter handle: https://twitter.com/NegeenPapehn

Facebook: https://www.facebook.com/NegeenPapehn/

Instagram: https://www.instagram.com/negeenpapehn/

Goodreads: https://www.goodreads.com/author/show/17379780.Negeen_Papehn

 

Previous author interviews:

Pamela Kopfler – BETTER DEAD

Anna Quinn – THE NIGHT CHILD

Clarissa Harwood — IMPOSSIBLE SAINTS


Author ’18 Interviews: Clarissa Harwood

Alrighty, hello and welcome to my blog series dedicated to author interviews for 2018 debut authors! This has been started as a way to support some of my fellow ‘debutantes’ of 2018. Some of the genres may be a little outside while I usually write/talk about here, but each of these I share struck my interest in one way or another.

(See past author interviews at the end of this post!)

Clarissa Harwood’s debut — Impossible Saints — just hit the world on January 2nd. It’s historical fiction, involving all sorts of themes that tickle my interest. You’ll see why below!

Impossible Saints Authors18.jpg

GENERAL

Author Name: Clarissa Harwood

Book Title: Impossible Saints

Book Genre: Historical Fiction

Release Date: January 2, 2018

Publisher: Pegasus Books

THE BOOK

The setting is 1907 England. Lilia Brooke, an agnostic militant suffragette, believes marriage to a clergyman is a fate worse than death. Paul Harris, a quiet, intellectual Anglican priest, is well aware that falling in love with Lilia is incompatible with his ambition to become the next cathedral dean. Lilia and Paul must decide which compromises they’re willing to make and whether their love is worth fighting for.

 

Book Teaser:

“How well do you know Whitechapel?” she asked.

He hesitated.

“Have you ever been there?”

“No,” he admitted, “but I don’t need to go to Hell to know I don’t want to spend time there.”

She laughed. “That’s a terrible analogy.”

“Don’t you think you could better achieve your ends by adding a little prudence to your fearlessness?”

“You sound like my mother.” She tapped her foot impatiently. “Why is it that men’s courage is called bravery but women’s courage is called recklessness—or, even worse, foolishness? If I were a man, would you urge me to be prudent?”

“I certainly would,” he said firmly. “Not everything is a question of sex.”

“That’s where you’re wrong. Everything is a question of sex, but because you’re a man, you don’t see it.”

 

Where did you get the idea?

The genesis of the novel was a scene that popped into my head about twenty years ago: it was as vivid and detailed as if I were watching a movie. I saw a confrontation in a meadow between a studious boy who didn’t know how to play, and a fiery girl pretending to be Jeanne d’Arc, leading her army of brothers. That scene haunted me for many years before I finally gave in and started writing Paul and Lilia’s story. The scene doesn’t appear in the finished novel, but both Paul and Lilia refer to it and remember it as their first meeting.

What’s the story behind the title? (e.g. who came up with it, did your publisher change it, etc.) 

The original title was Marching as to War, but by the time I signed with my agent I had changed it to A Battle Worth Fighting. I was quite attached to the latter title because it’s a direct quotation from the novel, but my editor rightly pointed out that it sounded more like nonfiction than fiction. The final title, Impossible Saints, was the result of a fun brainstorming session with my editor and my agent. While the others enjoyed my contribution of The Suffragette with a Priest on a Train, it didn’t make the cut!

 

No spoiler, but tell us something we won’t find out just by reading the book jacket

My protagonists’ choice of heroes says a lot about them. Paul’s hero is the Victorian founder of the Oxford Movement (and ultimately Anglo-Catholicism), John Henry Newman. Lilia’s hero is early feminist Mary Wollstonecraft, who wrote A Vindication of the Rights of Woman.

 

Tell us about your favourite character.

It’s tough to choose a favourite because I love Paul and Lilia equally. I used to tell people that Paul is who I am, and Lilia is who I want to be. This isn’t really true, though, and my husband keeps telling me that I’m Lilia, even though I don’t see her qualities in myself. The novel is told from the points of view of both Lilia and Paul. Because this was the first novel I wrote that includes the point of view of a male character, I was nervous about expressing a man’s attitude and thoughts convincingly, so I deliberately gave Paul my personality (INFJ, for Myers-Briggs fans). Over the course of multiple revisions, he changed and became his own person, but I still identify with many of his strengths and weaknesses. Lilia is much braver and more outspoken than I am. She’s also an extrovert and has much more energy for people than I do. But I admire her and her convictions!

 

If you could spend a day with one of your characters, who would it be and what would you do? (P.S. Please keep it to PG-13)

I’d be happy to spend a day with either Lilia or Paul, but Paul is harder to get to know and I could see myself becoming frustrated with his reserved nature. The two of us might just sit in opposite corners of a room reading books! It would be more interesting to follow Lilia around, hearing her speeches and watching the effect she has on the people around her: she’s very charismatic and passionate about women’s rights. Maybe she’d let me be her personal assistant!

Are your character based on real people, or do they come from your imaginations?

The only real person who makes an appearance in Impossible Saints is Emmeline Pankhurst, leader of the Women’s Social and Political Union (WSPU), the best-known British militant women’s suffrage organization in the early 20th century. I’ve already mentioned that I based Paul’s personality on my own, and I do rely quite a bit on the Myers-Briggs personality typology when I create characters. If I’m struggling to understand a character’s motivations, I’ll often ask someone with a personality similar to my character’s for help.

WRITING PROCESS

How long did you take to write this book? (You can share about the timeline from drafting to publication)

The novel took about twenty years from conception to publication. The first draft took me a little over a year, but I’ve written so many drafts since then that I’ve lost count. I gave up on it several times and wrote other books, but I kept coming back to it. You can read more about the timeline, including signing with my agent and getting the book deal in this blog post.

 

What kind of research did you do for this book?

As a doctoral student and later an English professor, I specialized in nineteenth-century British literature, so the poetry and fiction of that era always sparks my research and leads me to primary sources. An early influence on Paul’s development as an Anglican priest was Anthony Trollope’s Barchester Towers, with its delightful melodrama surrounding the lives and loves of cathedral clergy. Poets associated with Anglo-Catholicism inspired Paul’s story too, such as Gerard Manley Hopkins and Christina Rossetti. First-person accounts of the suffragettes’ destruction of property, hunger strikes in prison, and the brutal force-feeding they endured, especially Emmeline Pankhurst’s My Own Story and Constance Lytton’s Prison and Prisoners, were especially influential in shaping Lilia’s experiences.

 

What did you remove from this book during the editing process?

Deciding what to include and what to exclude is always difficult, but I’m fortunate to have people with great editorial eyes looking at my work—critique partners, beta readers, my agent, and my editor at Pegasus.  I’ll admit I was dismayed when Laura, my agent, first suggested killing off a fairly major character in Impossible Saints, but Laura has an uncanny ability to detect which elements of a story should be left in and which should be left out, so I knew I could trust her judgment. I was also disappointed when I realized on my own that I had to kill off my only Canadian character and put a New Zealander in his place! It’s obvious to me now that both “murders” improved the novel.

 

Are you a plotter or a pantser?

My natural tendency is to be a plotter, but I’m trying to let my inner pantser come out more often! I never plot a novel in great detail, though. Before I start writing a novel, I usually write a brief synopsis. Writing a synopsis for a finished novel is painful, but writing one early in the process is a helpful exercise to work out what the important turning points and key scenes will be. Of course, the synopsis I write at the beginning bears little relation to the one I write at the end, but that’s as it should be!

What is your favorite part of your writing process, and why?

I love revisions, whether I’m doing them on my own after having written several drafts, or whether I’m doing them based on my agent’s or editor’s feedback. There is no “terror of the blank page,” so I don’t experience writer’s block when I’m doing revisions. I already know the story and the characters, so I don’t have to create anything from scratch. Instead, I’m adding layers and depth, polishing something that is already a solid story.

 

What is the most challenging part of your writing process, and why?

The first draft! How I hate the first draft! I hate not knowing my characters. They aren’t my friends yet, and I miss my old friends from the previous novel. The characters in a first draft are people who’ve dropped out of the sky and are ordering me to tell a story I don’t know.

Can you share your writing routine? (e.g. How do you carve out your writing time? Where do you normally write?)

I’m very fortunate to have flexible hours in my day job (I teach online courses at my local university), so I can work at home most days and organize my time the way I want to. Mornings are my sacred writing time: I try to write for at least an hour or two every morning. But my writing routine is quite different depending on whether I’m writing an early draft or a later one. I give myself a minimum time period when I’m working on a first draft (only ten minutes if I’m really struggling). When I’m working on a later draft or revisions, I give myself a maximum time period: otherwise I miss appointments, meals, and sleep because all I want to do is write!

Have you ever gotten writer’s block? If yes, how do you overcome it?

Yes, usually when I’m working on a first draft or if I’ve been away from the manuscript too long. I’m a recovering perfectionist, so my first step is usually just reminding myself that it’s ok to “write crap.” In fact, this is how I wrote my entire dissertation! When my writer’s block is really severe, I use the ten-minute minimum time period I mentioned before and let myself make point-form notes if I can’t form complete sentences. Another trick I use for severe writer’s block is stolen from the movie The King’s Speech: to work on the king’s stutter, his speech therapist had him shout out swear words to loosen him up. I do this with writing if I’m really stuck: I just write long lists of swear words!

 

How many unpublished and half-finished books do you have?

I wrote two novels as a teenager that were awful. I rewrote one of them in my twenties, but it was still pretty awful. I’ll call those my three practice novels. Then I signed with my agent based on a finished novel that didn’t sell, and I recently finished a sort of sequel to Impossible Saints. That’s two finished unpublished novels. I also have two unfinished first drafts of new novels.

Do you have any writing quirks?

Ha! Is there a writer who doesn’t have writing quirks? I look like a maniac when I’m revising a novel because I often talk to myself loudly and gesticulate wildly. Fortunately I’m usually alone at home when I do this, but not always. I also do my best writing when I’m “inside the purr machine,” which is on my sofa with one cat on either side of me and another behind my head.

THE WRITER

What do you like to do when you’re not writing?

I love reading, watching movies, going for long walks, traveling, and making snow women.

 

Apart from novel writing, do you do any other kind(s) of writing?

I’ve done my share of academic writing as an English professor, but these days most of my academic writing is making comments on student papers. My comments are usually pretty dull, but occasionally I feel inspired to write things such as “Your essay is like a garden with some lovely flowers but far too many weeds.”

 

Share something about you most people probably don’t know.

Songs by the 70’s Swedish pop group ABBA are the soundtrack to my life.

 

WHAT’S NEXT

What are you working on right now?

A historical novel about a Victorian woman mountain climber.

 

What’s your favourite writing advice?

Don’t wait for inspiration. Inspiration comes after you start writing, not before. The best writing advice I’ve heard for writer’s block is “butt in chair” and “lower your expectations.”

TELL US…

The book you’re currently reading

I always have several books on the go. This week they are a nonfiction book about scandalous Victorian court cases, Peter Pan because I’m teaching it this week in my Children’s Literature course, and Song of a Captive Bird, a novel about the 1960’s Iranian poet Forugh Farrokhzad that I’m reviewing for the Historical Novel Society.

THE PITCH

Give us a short pitch of your novel

England, 1907. Lilia Brooke bursts into Paul Harris’s orderly life, shattering his belief that women are gentle creatures who need protection. Lilia wants to change women’s lives by advocating for the vote, free unions, and contraception. Paul, an Anglican priest, has a big ambition of his own: to become the youngest dean of St. John’s Cathedral. Lilia doesn’t believe in God, but she’s attracted to Paul’s intellect, ethics, and dazzling smile.

As Lilia finds her calling in the militant Women’s Social and Political Union, Paul is increasingly driven to rise in the church. They can’t deny their attraction, but they know they don’t belong in each other’s worlds. Paul and Lilia must reach their breaking points before they can decide whether their love is worth fighting for.

Give one or two of your favourite blurbs.

“The perspective is refreshing in that the church is not the villain, nor are all the suffragettes cardboard cutouts. One interesting aspect is the novel’s exploration of the contrast in ideologies between the more conservative, peaceful suffrage groups and the militant, property-destroying Women’s Social and Political Union. This parallels the spectrum in today’s protest-heavy atmosphere, lending the novel contemporary social relevance in addition to its romantic plotline.” – Booklist

“Harwood brings us vividly and convincingly into the past, as we see the whirlwind of social changes in early twentieth century England through the lives of two passionate and authentic characters.” – Jessica Brockmole, internationally bestselling author of ‘Letters from Skye’

BUY LINKS

Amazon: https://www.amazon.com/Impossible-Saints-Novel-Clarissa-Harwood/dp/1681776243

Barnes & Noble: https://www.barnesandnoble.com/w/impossible-saints-clarissa-harwood/1126706953

Chapters Indigo: https://www.chapters.indigo.ca/en-CA/home/search/?keywords=impossible%20saints%20harwood

 

Clarissa_Harwood Authors18

Photo credit: Anita Watkins Photography

BIO

Clarissa Harwood holds a PhD in English Literature with a specialization in Nineteenth-Century British Literature. In addition to being a proud member of the Historical Novel Society, Clarissa is a part-time university instructor and full-time grammar nerd who loves to explain the difference between restrictive and nonrestrictive clauses. She lives in London, Ontario.

Social media:

Website: www.clarissaharwood.com
Facebook: @ClarissaHarwoodAuthor
Twitter: @clarissaharwood
Goodreads: Clarissa Harwood

 

Previous author interviews:

Pamela Kopfler – BETTER DEAD

Anna Quinn – THE NIGHT CHILD


Debut ’18 Author Interviews: Anna Quinn

Welcome to my new blog series dedicated to author interviews for 2018 debut authors! This has been started as a way to support some of my fellow ‘debutantes’ of 2018. Some of the genres may be a little outside while I usually write/talk about here, but each of these I share struck my interest in one way or another.

(See past author interviews at the end of this post!)

Anne Quinn is coming out with a Psychological/Literary Fiction titled THE NIGHT CHILD which is coming out tomorrow. I was intrigued by all of it — the premise, the concept, and the cover. It’s definitely something I need to get my hands on.

cover final The Night  Child_finished cover.jpg

GENERAL

– Author Name: Anna Quinn

– Book Title: The Night Child

– Book Genre: Psychological/Literary Fiction

– Release Date: January 30th, 2018

– Publisher: Blackstone Publishing

THE BOOK

Please describe what the book is about.

The Night Child is the story of Nora Brown, a young mother and high-school English teacher, whose unremembered childhood trauma returns to threaten her sanity in the form of a child named Margaret. This exquisitely nuanced and profoundly intimate novel examines the fragile line between past and present—it is a story of resilience, hope, and the capacity of the mind, body, and spirit to save itself despite all odds.
– Share a teaser from your book.

“Her past—a malevolent undertow she cannot escape from simply by swimming parallel to and waiting for release; no, this is a force demanding a surrender she cannot allow.”

Where did you get the idea?

The Night Child was born from my memoir. When I finished writing the memoir, deeply cathartic as it was, it still wasn’t the story I most wanted to write, but I wasn’t able to articulate why. Weeks later another story began to push up, a story with similar themes to the memoir (identity, power imbalance, betrayal, resilience, hope) a story that wanted to go beyond my singular experience—beyond the way I’d been telling it. I realized the problem was in the form—the memoir wanted to breathe, break free, it wanted to be a novel.

What’s the story behind the title?

The original title was SPLIT, but in 2016 a movie came out with the same title and similar themes to my book. And to make it worse, the film perpetuated harmful stereotypes of mental illness instead of countering them. I was devastated. I told my publisher I wanted to change the title and they agreed. The new title, The Night Child, came to me in a dream soon after, and it encapsulates one of the primary characters, a child named Margaret—who only appeared at night. The good news is I love the new title even more than the old one.

– No spoiler, but tell us something we won’t find out just by reading the book jacket.

Literature shaped Nora’s identity as a feminist, teacher and mother.

The following books are mentioned in The Night Child:

  • To the Lighthouse by Virginia Woolf
  • The Bluest Eye by Toni Morrison
  • The Important Book by Margaret Wise Brown
  • The Tempest by William Shakespeare
  • Hamlet by William Shakespeare
  • The Bell Jar by Sylvia Plath
  • The Crabapple Fairy by Cicely Mary Barker
  • The Book of Light by Lucille Clifton
  • Man and His Symbols by Carl Jung
  • Lord of The Flies by William Golding
  • Mythology: Timeless Tales of Gods and Heroes by Edith Hamilton

 

Tell us about your favorite character.

I love Margaret. She is a fierce six-year old who attempts to save the protagonist, Nora, and her daughter, Fiona, from a terrible danger. Margaret’s courageousness both gutted and inspired me beyond measure.
If you could spend a day with one of your characters, who would it be and what would you do?

I would love to spend time with Margaret—I’d take her out for strawberry ice cream, the local bookstore, buy her a beautiful red coat and maybe the kid version of Doc Martens.
Are your characters based on real people, or do they come from your imagination?

As with almost any work of fiction, the characters are composites of people I’ve met in my life, deepened and expanded by my imagination.

 

WRITING PROCESS


How long did you take to write this book? (You can share about the timeline from drafting to publication)

I wrote The Night Child in only a year, but that’s because I used a great deal of content from my previously written memoir. It took another year to edit The Night Child, and yet another year to call up the courage to submit it. I queried twenty-four agents and within a month, received nine requests for partial manuscripts and three requests for full manuscripts. Soon after, two agents expressed interest in representation—one NY agent, and Gordon Warnock from Fuse Literary in San Francisco. The NY agent wanted significant developmental changes that involved sensationalizing certain scenes for commercial purposes, and Gordon loved the book enthusiastically as it was, so I accepted his offer. Nine months later he called to say Blackstone Publishing had offered a fabulous contract. After an additional three months of editing with Blackstone, my book was ready for publication and will be released Jan. 30th, 2018.

 

What kind of research did you do for this book?

I used notes from my own personal history of dissociation, and spent hundreds of hours reading about psychiatric therapies, and interviewing psychiatrists and people who had experienced, or were experiencing dissociation.

 

What did you remove from this book during the editing process?

I’m a fairly spare writer (my poet husband calls me a haikuist novelist) and I often need to elaborate rather than cut. However, the editing exercise that helps most regarding cutting words is to read the entire manuscript aloud underlining all the places that cause me to falter or lose attention. Later, I go back and either cut those sentences or rewrite the passages. I also used Microsoft’s Word Usage and Frequency add-in, to find repeated words. The words “actually”, “shrugged” and “sometimes” were my top three most overused words. I also removed an excerpt of Hemingway’s, Clean Well-Lighted place because my publisher and I agreed it would be too much effort to secure the copyright from Hemingway Estates as they are known to be a pretty tough crowd.
Are you a plotter or a pantser?

 One of the most exhilarating things about writing is the mystery and complexity of it, so while I have a sense of big what if questions when I begin, I allow my imagination free rein during the first draft— I become a combination of interviewer, recorder and witness. I observe my characters, follow them around, ask them things along the way like: What do you want? Why does this matter so much to you? What are you looking for? What’s standing in your way? What are you afraid of? and What next? Over time they lead me into scenes, into answers, and a story emerges—the structure revealing itself as I write.
What is your favorite part of your writing process, and why?

Revision thrills me—re-visioning a draft from a critical perspective, listening to the sounds of language, playing with rhythm sentence by sentence, magnifying the abstract for an  unambiguous detail, cutting irrelevancies (even if it means pages and pages) adding complications, and creating metaphor completely absorbs me. The first few drafts allow me to discover the story—what it’s really about, where the vulnerability of being human lives. Revision allows me to clarify and deepen the emotional truth of it.

 
What is the most challenging part of your writing process, and why?

Finishing a piece. But really, is any story ever finished?
Can you share your writing routine?

Now that my boys are grown and I run my own business, I’m fortunate that I can create my own schedule. I’ve designated Mondays and Tuesdays as sacred writing days and I sequester myself in my writing studio—a little tugboat with horrible internet access. I write from 7 a.m. until midnight each day, only stopping to take an occasional walk, eat something, or shoo away the gulls who like to crack clams open on the boat roof. The rest of the week I write at home for an hour in the morning and an hour in the evening.

 

Have you ever gotten writer’s block? If yes, how do you overcome it?

Ha, I decided long ago to reframe writer’s block. When the words don’t come I tell myself  I’m in a receptive phase. I’m not saying I don’t sometimes panic (I do!) but it definitely takes the pressure off to trust that my words and ideas just need time to sort themselves out. Sometimes it’s realizing that I’ve been asking my characters the wrong questions. Taking long walks, taking photographs, practicing yoga, listening to music or reading, eventually opens up spaces within me where words once again find their way to the page.
– If you could tell your younger writing self anything, what would it be?

Write whatever you want and write it without apology—there are no forbidden, unspeakable, illicit, feelings or experiences in writing.
– How many unpublished and half-finished books do you have?

I have an unpublished memoir that will stay that way, half of a poetry chapbook, a rough draft of a book called “Book Stories” about strange/cool/funny things that happen at the bookstore, one almost completed first draft of a new novel and three pages of a third novel.

– Do you have any writing quirks?

I have to write the first draft of anything in long hand with a Uniball 207 pen.

 

THE WRITER

– Tell us about yourself.

I’m an introverted extrovert—I can be sociable, but it seems for every hour I socialize I need hours of solitude to recover. Running a bookstore is like attending an all-day bookish cocktail party, and though I love placing great books into new hands, I do limit my time at the desk. I also teach workshops, so I pace myself there too, keeping my teaching time to a couple of hours, a few days of the week. I’m married to a poet who understands me, and gives me plenty of space and support. I also have three grown boys I love to hang out with whenever I can.


– How did you get into writing?

My mother taught me to write when I was four. She taught me words create worlds and that imagination is everything, and I believed her then, and still do today. I was fortunate also, to have teachers along the way who encouraged me to keep writing. One particular teacher taught me that if I didn’t like the story I was in, then I should write myself into a new one—her words pretty much saved my life.

 

– Which book influenced you the most?

Ach, there are so many. My top ten books of all time are:

To The Lighthouse by Virginia Woolf

The Bluest Eye by Toni Morrison

Bastard Out of Carolina by Dorothy Allison

Ariel by Sylvia Plath

Look At Me by Anita Brookner

Autobiography of Red by Anne Carson

Bluets by Maggie Nelson

Chronology of Water by Lidia Yuknavitch

Oranges are Not The Only Fruit by Jeanette Winterson

The Bone People by Keri Hulme

 

WHAT’S NEXT

 

– What are you working on right now? I’m working on a novel set in the Pacific Northwest, but that’s all I can say for now.


– What’s your favourite writing advice?

Write what you want without apology.

Participate mightily in your writing community.

Be extraordinarily gentle with yourself, always.

TELL US…


– The book you’re currently reading:

My Absolute Darling by Gabriel Tennant. Achingly dark and beautiful.

– How do you feel about The Night Child being compared to the Bell Jar?

Completely honored. Both stories are about a woman’s descent into mental illness, her breakdown, and attempts toward recovery. Both protagonists, Esther in the Bell Jar, and Nora in The Night Child, had achieved academic success and were raised in a typical middle-class family and yet things weren’t as they seemed—both have a disordered identity. Both Esther and Nora offer raw perspectives about the experience of a breakdown. The Bell Jar opened up conversations about mental illness and I hope my book does the same.

Give one or two of your favorite blurbs!

”A powerful, beautifully written, transformative novel…’Must-read’ is not a phrase I use often; I am using it now: you must read this book!” –Garth Stein, New York Times bestselling author of The Art of Racing in the Rain

“Packed with riveting detail and radical emotional honesty, motored by a powerful (what I think of as a “life depends upon it”) authorial voice, this book does at least fifteen things novels are not supposed to be able to do.  I won’t name them, but I will tell you that it will stand you up against yourself in all the best ways possible. You will love this night child, and she will remind you to love the night child inside you. I can’t remember a novel in which I have been more deeply emotionally invested. “-Pam Houston, author of Cowboys Are My Weakness and Contents May Have Shifted

And now… buy links!

www.writersworkshoppe.com

https://www.amazon.com/Night-Child-Novel-Anna-Quinn

AUTHOR BIO

anna author picture .jpg

Anna Quinn is a writer, teacher, and the owner of The Writers’ Workshoppe and Imprint Books in Port Townsend, WA. She has thirty years of experience teaching and leading writing workshops across the country. Her writing has appeared in various literary journals and texts, including Literature Circles and Response, Practical Aspects of Authentic Assessment, Instructor, Tidepools, IS Literary Magazine, Manifest-Station, Lit-Fest Anthology, 2016, and Washington 129 Anthology. Anna’s first novel, “The Night Child”, was acquired in a world right’s deal by Blackstone Publishing, and will be published Jan. 30th, 2018.

SOCIAL MEDIA

Website: annamquinn.com

Facebook: https://www.facebook.com/anna.quinn.9277

Twitter: @annaquinn55

Instagram: annaquinnpt

Pinterest: annaquinn5480

Goodreads: https://www.goodreads.com/book/show/35390279-the-night-child

 

And there we are. I hope you enjoyed this glimpse into Anna Quinn and her debut coming out (tomorrow!)!

Previous author interviews:

Pamela Kopfler